100x Rebate Sharing System: Retired Incubus Wants to Marry & Have Kids Chapter 497 - 496- Don’t Touch Me

The sound it produced from her mother.

The involuntary, ’uncontrolled’ cry of a woman whose hair has been grabbed at the root and pulled upward — not vicious, not theatrical, the flat, working grip of a man doing sothing he has done before —

He pulled her to her knees.

Her mother’s hands finding his forearm. Not fighting. The , instinctive grip of soone trying to relieve pressure by finding the source.

The audience.

Sofia looked at them.

They were laughing.

Not all of them. But enough — the low, comfortable laughter of n watching sothing they expected, sothing they had perhaps seen before in other rooms with other won, the laughter of an audience getting what they paid for.

Her mother’s face.

Sofia had never seen that expression on her mother’s face.

She had seen her mother in argunts, in grief, in exhaustion, in the particular, warm, ’working’ peace of a woman who has built sothing and lives inside it.

She had never seen her mother’s face when it had run out of categories.

When the person she was looking at had beco sothing her understanding of the world didn’t have a file for.

That was the expression now.

The , absolute, ’foundation-gone’ look of a woman whose frawork has collapsed.

"Stop—" Her mother’s voice. Still trying. The , human reflex of a person who believes words work. "Sir Human, this is wrong, this is—"

The Count’s other hand.

Found the front of her dress.

The wet fabric, the clinging fabric, the fine dress that had been put on her for the presentation—

He slapped her breast.

Flat. Open. The , sharp, ’deliberate’ impact of a man establishing sothing — not lost control, not passion, the controlled, instructional slap of soone communicating a point.

The sound of it.

Thick. The , flesh-heavy report of a hand against a substantial breast, the jiggle of it, the dress absorbing so and transmitting the rest, her mother’s cry going high and then cutting short as she absorbed the shock of it.

She fell sideways.

Her shoulder finding the platform edge, the water still draining around her knees, her hand going instinctively to her chest.

Looking up.

"Father—"

Sofia was not whispering anymore.

She was not doing anything controlled anymore.

She was standing in the middle of a room full of laughing masked n and watching her mother on her knees on a wet platform and the word ca out of her at a volu that the imrsion spell had not been designed to accommodate —

"FATHER, WHAT ARE YOU DOING TO HER—"

Nobody heard.

Nobody turned.

The ghost in the mory, the safe observer, the girl watching from inside a sealed recording who could scream herself raw and change nothing because it had already happened —

Elena’s laughter.

Coming from outside.

"Oh, Sofia."

The Count unzipped his trousers.

The , unhurried, ’this is the next step’ motion of a man following a sequence.

What ca out of them was already hard.

The full, thick, vein-heavy, ’aggressively-present’ eight inches of a man who had, Sofia’s brain registered in the , horror-adjacent, information-processing way of a mind receiving things it cannot refuse, apparently arrived at this event in a state of anticipation.

Her mother looked at it.

At his face.

At it again.

"This is wrong," she said.

Her voice had changed.

No longer the instinctive, frawork-seeking voice of before. The , ’this is the last thing I have left’ voice of a woman who knows exactly what is about to happen and is making a formal record of her objection.

"Sir Human, this is fundantally—"

He put the head of his cock against her lips.

She bit it.

The small, desperate, ’this is what I have available’ bite of a woman using the only weapon within reach.

He did not flinch.

He grabbed her jaw.

Pressed.

And pushed forward.

"Mmhhnn—PHHMM~—"

The sound her mother made.

Sofia’s brain registered it and then refused to file it anywhere — the , muffled, ’ruined’ sound of a woman’s voice inside an occupation it had not consented to, the cry becoming the sound and the sound becoming sothing that did not have a clean na in any language Sofia knew.

Her mother’s eyes.

Looking up.

Tear-filled, the pale silver-blue of them catching the torchlight as they went wide and then wider and then — as the full reality of the depth and the thickness and the unyielding forward pace of it registered — began rolling with the , involuntary, ’total’ quality of a system overwheld.

The audience was clapping.

Soone was making a comnt Sofia’s mind refused to process.

The Count’s hand tightened in her mother’s hair.

His hips began to move.

The magic ’paused.’

Sofia was back in the room.

The chair. The mirror. Elena’s dormitory. The sll of academy stone and lamp oil.

Her mother was gone. The auction hall was gone. The sound was gone.

And Sofia was sitting in the chair with her hands in her lap and her face doing sothing she had never in her life felt it do before — the complete, total, foundation-pulled-out collapse of every narrative she had been carrying since childhood, crumbling in real ti, the , unsupported falling of structures that have lost the thing they were built on.

Her father.

Her ’father.’

Gentle, her mother had said. ’Unlike the others.’ He saw and he knew, she’d said, he was a good man in a bad room, she’d said, he paid five thousand gold coins because—

Because he had ally wanted her.

Because he had co to that room for exactly that purpose.

Because the five thousand gold coins was not rescue.

It was purchase.

It was —

"No."

The word ca out thin.

"No, that’s—it’s—"

She looked at Elena.

Elena was leaning against the mirror with her arms crossed, watching Sofia’s face with the , patient, ’collecting’ attention of soone who has waited for this reaction and is now observing it like a performance she has paid to see.

"It’s fake," Sofia said.

Her voice cracking at the top.

"It’s fabricated. You made it. You — it’s impossible, that’s not—"

"Oh, it’s real," Elena said.

Pleasantly.

The , warm, entirely-false warmth.

"Count Ravenon’s records at the Slave Trainer Guild are public, Sofia. Well. Public to people who know which doors to open." A pause. "Your mother was his third acquisition that year. He spent four months with her before presenting her at the Ravenon estate as his intended. The Guild notes describe the training period as—"

"Stop."

"—quite comprehensive."

"STOP—"

Sofia stood.

She crossed the room in two steps.

Her hands found Elena’s collar.

She had not planned this.

There was no plan. The plan had dissolved sowhere between her mother’s rolling eyes and the sound of the audience clapping.

She grabbed Elena’s collar.

"Stop this," she said. "Stop it. Take it back. Destroy the recording. You—"

Elena’s face changed.

The warmth gone. The performance gone.

What was left was the cold that lived below everything else — the , absolute zero of Elena when she stops deciding what to show you.

"Don’t."

She said it the way walls say things. The flat, certain, structural refusal.

"Touch."

"."

The slap was harder than the garden.

The garden slap had been public, controlled, calibrated for an audience.

This one was private.

This one was the slap of a woman who does not have to calculate for witnesses.