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Now reading: Chapter 1119 1117: Preliminary Work from Actor in Hollywood, a Fan-fiction novel by IlhamYamin.

The contradictions and conflicts surrounding faith were undoubtedly questions that Johnny Cash wrestled with throughout his life. Such doubts and struggles are not easily cast aside, much like countless philosophical quandaries that humanity continues to explore within the realm of the spirit.

Only by understanding these elents can one fully grasp Johnny's inner turmoil and struggles—

He was a complex amalgam of contradictions.

Within him existed both justice and evil, light and darkness.

To his first wife, Vivian Liberto, Johnny Cash was a disaster. They t at an Air Force base when Vivian was just 17. They fell in love, keeping their relationship alive through letters while Johnny served in Germany. Upon his return, they married imdiately.

Within a short span of five years, they had four children.

However, Johnny was constantly on tour, perpetually on the road, and seldom by Vivian's side.

Vivian was aware of the won Johnny encountered on tour. Left alone to raise four children, she ca to terms with the reality that their marriage had long since ended. She was willing to let go, allowing Johnny to pursue his own happiness while freeing herself. Yet Johnny remained evasive.

Vivian's children had little emotional connection with Johnny. She beca a tool left behind, never truly understanding him, never truly possessing him, let alone reaching into the depths of his heart.

But to June Carter, Johnny was her redemption. She saw his struggles and glimpsed the vulnerability within.

The sa Johnny, yet he revealed vastly different facets of himself depending on the person or circumstance.

This complexity was Johnny's charm, a reflection of the essence of humanity, and an unparalleled challenge for any actor to capture—

Acting is more than simply portraying emotions like joy, anger, sorrow, and happiness. Behind even the simplest expressions lies a vast, intricate system.

Such is the nature of the spotlight.

As an audience seated below the stage, watching a musical performance or a movie, what we see is a polished fragnt—beautiful, dazzling, and aspirational.

We project our ideals of perfection and happiness onto these images. What we perceive are the singer's radiant three minutes on stage or the actor's flawless portrayal on screen, constructing an irreplaceable idol or romanticized figure in our imagination.

Reality, however, often diverges from this.

In real life, these individuals carry their truths—not necessarily ugly or sordid, but undeniably different from their public image under the spotlight.

Johnny Cash may have been an exceptional singer and a courageous advocate for the impoverished and oppressed as "The Man in Black," but he was far from perfect.

In front of Vivian, June Carter, his children, or his parents, this legendary superstar displayed facets of himself typical or atypical of any ordinary person.

This complexity, subtly embodied in Johnny Cash, presents the ultimate challenge for an actor.

Edgar and Anson had previously discussed the idea of avoiding biographical films about individuals still alive, as such projects often shy away from darkness and struggles, instead becoming glorified tributes to the protagonist.

Walk the Line, the screenplay, was developed with input from Johnny Cash and June Carter themselves, inevitably facing this dilemma.

To an extent, Edgar wasn't wrong.

Walk the Line does celebrate Johnny Cash, especially his love story with June Carter.

The script largely overlooks Vivian's presence and portrays June as Johnny's savior, redeeming the wayward soul through love.

In real life, this relationship was likely far more nuanced. But in the screenplay, it becos a symbol of happiness and romance.

Nonetheless, the screenplay deserves credit for not shying away from Johnny's struggles.

As Johnny himself wryly observed, the screenplay showcases his darkness and complexities, allowing audiences to see his wounds and the demons lurking within his soul.

This takes courage.

Viewed from another angle, the screenplay is but a small aperture offering a glimpse into the intricate duality of Johnny as both an ordinary man and a legendary star.

For Anson, the task is not to judge Johnny's complexity, nor to critique his life, but to trace the roots of his turmoil.

Only by experiencing the pain can one understand the origins of the darkness.

And only by enduring the anguish can one comprehend the struggle behind the phrase, "I've learned all the life lessons but still cannot live well."

Thus, Anson was in no rush to dive deep into the character. Instead, he picked up a guitar and embarked on a journey to Arkansas—

After all, there was plenty of ti.

The pre-production for Walk the Line required careful preparation.

For a long ti, the two Jases behind the project had faced setbacks and uncertainty, hesitant to begin pre-production in earnest. It wasn't until Anson officially signed on and secured funding that the crew began to operate at full capacity.

Finding suitable filming locations, coordinating schedules, and crafting authentic period sets and costus were all ti-consuming tasks. If the directors insisted on using only genuine equipnt from the 1950s and 1960s, pre-production could take even longer.

Although the production was now running smoothly, no clear filming dates had been set yet, requiring patience from everyone involved.

While the production team handled their preparations, the actors had their own tasks—

Reese had also enrolled in guitar and vocal lessons, receiving professional training that required more than a few weeks to bear fruit.

anwhile, Anson carried his guitar and embarked on a road trip.

Not just to Arkansas, but also to San Antonio and mphis—where Johnny and Vivian moved after marrying and where his singing career began.

Wandering the open road.

Earlier this year, during a European tour, Anson and Miles mostly traveled by train, occasionally hitching rides, experiencing the carefree joy of a post-graduation trip.

This ti, driving through North Arica, Anson traversed its heartland. Away from the coastal cities, the vast, sparsely populated natural landscapes and rural scenery unfolded before his eyes.

What started as preparation for a role turned into an unexpected journey of escape.

(End of Chapter)

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