"You all don’t want anymore, so why do you care about whether I live or die? You all want Jane Sampson, you don’t want . She hasn’t co ho yet, but you’re all on her side. I’m so an to her, I hate her so much. Once she returns, you’ll drive away."
Jillian Carter cried hysterically, "I don’t want to share my daddy and mommy with anyone. I’d rather die than share."
"Jillian, why can’t you understand? It’s not about making you share daddy and mommy with soone, but the fact is, we are originally Jane Sampson’s parents. It’s you who took away the love we have for Jane, our biological daughter. Understand? It’s not her taking anything from you."
Mother Carter, with a headache, gently persuaded, "Your dad and I hope you and she can get along well. No matter what happened before, later, when we all sit down, you apologize to her, she won’t hold it against you. In the future, we are a family."
"I don’t want to be a family with her, I refuse to be a family with her. When she cos back, she’ll definitely bully to death." Jillian Carter lay there crying and screaming, her voice so loud that both the doctor and nurse were drawn over.
"Alright, the little miss just woke up. Any grand reasoning, discuss it after she’s discharged." The doctor waved to send so of the relatives out of the ward, leaving only Joseph Shaw inside the ward.
Father and Mother Carter and Jas Carter stood outside the ward, and Mother Carter kept sighing.
"Jas, I arranged for the driver to take you back to the film crew first. Return early, you’ll still have ti to get so sleep, maybe rest in the car as well. If necessary, take half a day off to rest properly. Work is important, but not more than your body. You and your sister are both in the crew, usually take care of her a bit."
Father Carter said, "Here, with Joseph Shaw, your mom and I watching, we won’t let her ss things up again."
Jas Carter nodded, said "Mm," and stood at the ward door for a long ti until finally leaving after the Carter family’s driver arrived downstairs with the car.
The next day, Jane Sampson ran into Jas Carter early in the morning downstairs at the hotel. Without a night’s rest, Jas Carter’s dark circles were quite heavy. Jane Sampson didn’t ask much about Jillian’s situation.
Therefore, Jane Sampson didn’t know how Jillian Carter’s situation turned out.
A week later, "The President’s Wife is Not Human" began releasing its first wave of trailers.
The music for the trailer was precisely Jane Sampson’s original song, "He’s Bothered."
The promotional trailers were released precisely at eight minutes past eight in the morning, scheduled at this ti for good luck.
Jane Sampson’s popularity in the internet realm always stays high, and with the recent family-seeking incident, during this period, any slight movent on Jane’s twitter would automatically be pushed to hot search by netizens within minutes.
Just as Jane Sampson forwarded the trailer, and with the efforts from both the film crew and studio, in less than half an hour, the promotional trailer directly jumped to the top of the hot search list.
And second on the hot search list was the topic #Jane Sampson "He’s Bothered"#.
Square little things mumbling and singing
He says, that is the TV.
Strange iron boxes rumbling back and forth on the street
He says, that is the car.
He also says, look up quickly,
In the heaven above, massive airplanes glide overhead.
Oh~ oh~
This world, so bizarre,
What he says, always doesn’t match what he thinks,
He says, one week gets only one ice cream,
This is the way of the world.
He says, milk tea tastes bad, potato chips aren’t good.
Aiya, so confusing.
He’s a bit bothered.
Endless chatter, nonstop, never-ending.
Oh~ oh~
What he says, always doesn’t match what he does.
...
This song, from beginning to end, is cheerful in style, exuding a hint of love, and it’s a song with a very girlish heart.
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