"Filming our wedding process to include in the film? No, that’s so embarrassing, I don’t want that..."
In the bride’s lounge, Leslie Howard quickly waved her hand upon hearing Director Henson’s suggestion.
She would rather do reshoots than do that.
Leslie imdiately looked up at David Redington, tugging on his sleeve sweetly: "Husband, I don’t want Director Henson to film us. After the wedding, can we go to the set for reshoots? The baby is behaving well and listens, and the doctor said I’m young and physically fit. You see, I’m not even experiencing morning sickness now. It’s just a few shoots, it’s quick, not tiring or strenuous."
Every ti she ntioned wanting to film, David would refuse, saying she was too tired and it was too strenuous.
So this ti, Leslie decided to be proactive and corner David without giving him a way out.
Unexpectedly—
David, who was being pleaded with sweetly, only slightly darkened his deep blue eyes and said to Henson without hesitation.
"Director Henson, I’ll leave the wedding venue to you. You personally handle our close-up shots. As for the filming equipnt needed for the wedding, you can find a man nad Winston outside to handle it for you. The wedding venue is grand; just using a crane cara might not be enough. Have him prepare a few helicopters for you."
Leslie: "..."
David is too much; not only filming their wedding scenes without her consent but even involving helicopters.
Leslie fiercely grabbed David’s big hand, angry: "No filming, if you shoot, I won’t walk down the aisle with you. Helicotpers, are you serious!?"
It’s too much, even though their wedding scene was decorated to be especially dreamy and beautiful by Lily.
The wedding location was set at a manor in Eastonia belonging to the Reddington family. Originally, they wanted to have it at a European castle, but considering Leslie was pregnant and long-distance travel was unsuitable, she was ’compromised’.
All wedding arrangents were organized by Lily Redington.
The Wallace family, previously tasked by David to handle wedding matters, was actually just for show, only involved in inviting guests.
After all, guests from the Wallace family wouldn’t normally associate with those from the Lucas and Reddington families.
"Not exaggerated at all," David said nonchalantly.
His azure eyes focused on his wife’s radiant face, smiling: "This wedding dress you’re wearing is a family heirloom from the Reddington family dating back to the Middle Ages. Each generation, only the heir’s wife is allowed to wear this gown. Did you see the diamond fragnts on the long train? Filming it with helicopters from above will be beautiful."
"Of course..." David leaned down, his large palm caressing Leslie’s cheek as he pressed his lips to her tender lips, "today, you look even more beautiful."
His flirting skills were at their peak. Once a reserved man experiences love, he’s thicker-skinned than most n.
Henson originally wanted to discuss so specific details with the couple, but as he spoke, he saw David pressing Leslie against the dressing table and kissing her.
Seeing David with both hands on the dressing table, showing his broad back, while Leslie was trapped between his chest and the dressing table.
The director blushed, feeling embarrassed, overwheld with their public display of affection.
He couldn’t stay any longer and turned to leave.
Taking just one step, he suddenly realized sothing was off.
He’s the director, and David had just agreed to let him film parts of the wedding.
This loving scene in the bride’s lounge before the wedding perfectly captured the deep affection between ’Alan Moore’ and ’Grace Smith’."
So, without further ado, Director Henson grabbed the video cara he had brought in on the sofa and started filming the passionately kissing couple.
And Director Henson was still unaware that this footage alone would earn him a place in film history.
Even decades later, countless movie fans still cherished this clip, often revisiting it fondly.
And it beca an undeniably classic ’public display of affection’ segnt.
[Over 1200 words: Update complete, see you tomorrow night~]
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