Ash waited three days.
On Thursday he returned to the Dominion Architecture Seminar and stayed after. Phoebe was packing her folder when he put a hand on the table to get her attention.
"I have a problem with the resonance diagram from the last reading," he said. "I can’t work through it in writing. I think it would only take five minutes at most to show you."
She looked at him. He had learned, across two sessions, to wait while she decided whether he warranted three words or nothing at all. He waited.
"Fine," she said.
Ash had scoped the room two days earlier. East-side theory classroom four had a chalkboard, two rows of desks, and a window that caught the last of the evening light from the wrong angle, facing away from the main courtyard.
He walked them there and drew a jagged schematic on the board that was technically a resonance diagram and was actually a reason to move her to the front of the room.
He handed her his notebook. An excuse to stand beside her. An excuse to reach for the sa page.
His fingers found the back of her hand. The Shade hit him at the closest range, stronger than he had ever felt before. He felt the hunger stir and orient. The void trying to locate its second al.
The hunger reached through the contact and seized the mont it felt Phoebe’s shade.
A new realm in front of him that opened like a stage light cutting to black.
One second he was in a theory classroom with chalk dust on his knuckles. The next second, he was in a corridor that extended in both directions without ending, lit by lights mounted at angles that cast no shadows.
Stark, shadowless light designed to be seen rather than to illuminate was all Ash could go off of. The floor was polished so smooth that every step ca back louder than it should, the sound climbing before it died, like applause for a single footfall.
The mirrors lined both walls of the corridor for as far as he could see, each lit from within. Each one showed Phoebe at a different age, in a different room, in the middle of a routine that required perfection from her.
A twelve-year old Phoebe was in a competition uniform, hands extended mid-demonstration. An older Phoebe stood before an assessnt board. An even older one, at a podium in what looked like a presentation hall. All of them wore the sa expression: present, performing, sufficient.
He took one step. The sound it made was enormous.
Then the nearest mirror moved.
The reflection didn’t wait. It stepped out of the glass with the ease of a native predator. It had Phoebe’s face, Phoebe’s posture, Phoebe’s uniform with every button in place. But the eyes were wrong. The eyes of soone who had been holding the pressure back for so long it had beco the only recognizable feature about them.
It looked at him for a mont.
You can feel it, the Shade said. Its voice was Phoebe’s with the performance stripped out. What remained was younger than the face. The cracks.
Ash said nothing. He was trying to understand the world he was in. The mirrors, the angles and the bounce of light between surfaces. The floor was too smooth. Every step he took would be audible before he finished taking it.
The Shade turned and moved between the mirrors, traveling from one lit surface to the next. As it passed each one, the reflection inside began to play. The twelve-year-old’s hands moved. The assessnt board leaned forward.
Every one of these is a test I had to pass, it said, not stopping, its voice flat and even, reading from a script that had been read many tis before. Not to get sowhere. Just to stay here. Just to keep the voice quiet.
Ash tracked it through three mirrors, four, trying to establish a pattern.
Then the distance between them was gone and its hands closed around his throat.
He hadn’t registered it moving.
The grip was precise, applied at exactly the pressure that communicated control. He got his hands up between them and broke the hold, stepped back, and the Shade was already in a different mirror.
It erged from the one to his left. He turned and it hit him from behind.
The blow landed across his shoulder blades, a forearm strike, horizontal and controlled, the kind designed to send soone into a surface rather than down. He went forward and caught himself on the edge of a mirror fra. The glass didn’t break. It resonated: a low sustained note that climbed up through the fra into his palms and held there.
He turned. The Shade was in three mirrors at once. No, four. Each reflection moving with a slight delay, like a sound arriving from different distances.
You can’t beat an entity that’s been performing for twenty years, it said, its voice arriving from all four directions. I have done this my whole life.
He tried to face one mirror and the Shade materialized behind him. Every ti he turned, the direction of the next attack changed. The room had no blind spots he could use. His footsteps announced every adjustnt he made before he finished making it.
His enhanced fra was handling the strikes, his bones weren’t giving up, but absorbing hits was not the sa as fighting back. He took another blow to the ribs, rolled with it as much as he could, and ended up against the far wall with his back to nothing and the whole corridor in front of him.
At the corridor’s edge, frozen where she had been from the beginning, The Shade was fighting with Phoebe’s perfect thodology. Every attack was considered, no movent wasted, always the exact force required and nothing more.
Ash looked at the mirrors. He counted twelve reflections of Phoebe visible from where he stood, all at different ages, all in different rooms, all in the middle of tests or performances or assessnts. All of them showed the sa face.
The Shade ca out of the nearest mirror at full speed.
Ash didn’t move.
He stood and felt it close the distance and let it arrive. The Shade drove into him with both hands, full force, and in the sa instant, before the impact had finished traveling through him, his hands found its wrists.
He held on.
The Shade pulled back. He tightened his grip. His feet had skidded back two feet. He pulled the wrists toward him, closing the distance it was trying to open, and held them at chest height between them.
The mirrors went strange.
The twelve-year-old’s hands stopped moving. The assessnt board froze mid-lean. Each reflection stuttered out of sync with the others, the performances breaking apart across the corridor’s length, the timing coming undone.
The Shade strained against his grip. It twisted an arm and he shifted his weight, dropped his center, held. There was no mirror to retreat into, no audience at the right distance to perform for. It was only Ash, two feet away, locked on, waiting.
Let go, it said.
The voice had thinned. It was smaller and younger now.
Let go, it said again.
Ash continued to hold.
Let go let go let go. LET —
The corridor went quiet. The mirrors stopped stuttering and stood still, every one of them dark except the few nearest, and those were dimming. The Shade in his grip stopped pulling.
I’m perfect, but at what cost?
It stood with its wrists held and its face open.
There’s nothing underneath, The words ca out even. I’ve been performing for so long I don’t know what would be left if I stopped. I’m terrified there’s nothing. I’m terrified I’m right.
The remaining mirrors went out one by one, each performance extinguishing in sequence from the far end toward them, until only the nearest mirror still held any light at all and that too was going.
I’m terrified of being perfect.
Ash hit it once. Not the way he’d hit Leon’s Shade, not with three years of weight, but clean, with only what the mont required. The Shade received it. It didn’t fight the impact. It let the strike arrive and began to co apart at the point of contact, dissolving outward from the center, the shape losing its edges, slowly and thoroughly, like a poorly built building that had held itself together through will alone and had just been given permission to stop.
What remained, briefly, wasn’t the Shade at all. It was a girl who had tried until there was nothing left to try with, and was tired.
Then that was gone too.
[ Ding! ]
[ Extraction Successful. ]
[ You have extracted the A-Rank Talent: Overclock ]
[ Overclock — Temporarily suppresses cognitive and physical limiters on a single targeted attribute. Amplification: 2–5x baseline depending on attribute selected. Recoil proportional to duration: micro-tears, exhaustion crash, or cognitive static. Cannot be sustained indefinitely. ]
The mirror room dissolved.
The theory classroom ca back around him: chalk dust, the wrong-angle evening light, two rows of empty desks. Ash was on the floor with his back against the front desk’s legs. The notebook was sowhere to his right. The diagram was still on the chalkboard.
Phoebe was on her knees three feet away, one hand flat on the floor to hold herself up. Her face was finally expressive in a way Ash had never seen before, like a door that had been held shut for years and had just co off its hinges, and whatever was on the other side hadn’t been seen yet.
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