The Xinkalan Theatre was located in the old district and had been around for a long ti. When it was built, private cars weren’t yet widespread, so the theater’s parking lot was small, and securing a spot inside required a bit of luck. Outside the theater, other old buildings also had limited parking, so if you missed the internal lot, you had to park far away.
Rebecca had learned this the hard way. Thanks to her prior warning, Everly and Old John, whose biological clocks were very regular, woke up early on Saturday morning and drove to the Xinkalan Theatre.
The theater wasn’t open yet. Luckily, since Everly was there as a volunteer, the security guard at the entrance casually let her and Old John in after she explained the situation.
The easygoing Black guard told Everly and Old John that Susanna, the artistic director in charge of volunteers, hadn’t arrived yet. They could enter the theater and wait inside, then gather at the entrance at the appointed ti.
“Got it, thank you!”
Old John waved at the guard and, following the signs, parked his car in the lot on the east side of the theater. Just as they had heard, the parking lot was quite shabby—roughly a hundred spaces—and the spaces were generally small. Old John’s Ford Mustang Jeep took up 1¼ spots.
Limited spaces and small dinsions—this was a common problem in Arica’s older parking lots.
The Xinkalan Theatre itself wasn’t very large. It had only one performance hall—the two-story circular building directly facing the main entrance.
After getting out of the car, the grandfather and granddaughter followed the signs, walked along the internal road, and entered the waiting hall through a small door on the east side of the performance building.
The hall was semi-circular with a high ceiling, divided into functional areas: ticket counters, snack and souvenir shops, seating for waiting audience mbers, and a baggage check area. On both the left and right sides of the hall were spiral staircases leading up to the second-floor boxes.
This was where Everly would later gather as a volunteer.
There were still forty minutes until the scheduled ti. The hall was completely empty, and the lights were off. Areas away from the windows looked pitch black.
Everly and Old John searched for a bit, found the theater’s internal ergency evacuation map, snapped a quick photo with their phones, and then crossed the edge of the waiting and queuing area to continue inward, pushing open the door to the performance hall.
Horror Movie Survival Rule Three: always check the escape routes beforehand.
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Even if it’s not a horror scenario, this is never a bad habit in real life.
The performance hall was brightly lit.
The theater troupe had already arrived and were familiarizing themselves with the stage, practicing their movents. The stage lights shone brightly, music flowed, and the actors, dressed in colorful costus, moved back and forth with expressive faces, focused and fully imrsed in rehearsal. The combination of lights, music, and visuals was dazzling.
Everly and Old John casually found seats in the front row, watching the rehearsal while they waited. Over ti, more volunteers arrived, taking seats in the hall just like Everly, waiting for their shifts. Among them, Everly unexpectedly ran into Misha, her classmate from elentary school.
In her mory, Misha had been a slightly short and chubby, shy little girl. In just three years, she had grown into a slim, graceful, and beautiful young woman.
All Lemot townspeople held a special admiration and closeness toward the four heroes who had once saved the town. Seeing Everly, Misha was unusually happy and imdiately approached her, asking what her responsibilities were. Using her strong social skills, Misha quickly swapped positions with a boy responsible for maintaining the main floor order, moving into the sa inner-floor team as Everly.
“This way we can work together all day today,” Misha said, smiling as she sat back down next to Everly.
Everly nodded but said nothing.
After waiting at the front of the stage for more than half an hour, the scheduled gathering ti finally arrived. Everly said goodbye to Old John and went with Misha and the other volunteers to the lobby to receive training from the artistic director, Susanna.
At this point, there were still 20 minutes before the theater doors opened and 40 minutes before the first performance began. Events like this were rare in a small city. Even through the closed lobby doors, they could already see people lining up outside the theater entrance.
Everly and Misha knew each other and were assigned to the northwest section of the first-floor auditorium. They stood one in front of the other along the aisle, responsible for stopping audience mbers if they made loud noises or stood up and blocked others’ view. Old John had originally been seated in the best central seat in the front row, but seeing the situation, he took the initiative to move and sat closer to Everly.
After waiting a while longer in the performance hall, a buzzing murmur rose from the entrance. Guided by the volunteers and theater staff, the audience began entering early.
Everly wasn’t responsible for ushering, so she had nothing to do for the mont. Leaning against Old John’s seat, she chatted idly with her grandfather while absentmindedly observing the audience filing in from outside. When her gaze swept over a thin figure dressed entirely in black with a hood pulled up, she froze.
A familiar sense of unease and fear surged over her like a tide, drowning her. Her fingers tightened abruptly around the back of the chair, her whole body trembling—as if soone had shoved her, drenched in sweat in the height of sumr, into a bottomless ice cavern.
Danger! That person is dangerous—she had to leave imdiately!
Everly stared hard at the figure. There were people blocking her view from front and back, so she couldn’t see clearly. She could only vaguely make out a backpack slung over the person’s shoulders, bulging as if stuffed with sothing unknown.
It definitely couldn’t be anything good… This was the downside of a small-city theater—there was no security check at the entrance!
Everly strongly suspected the backpack contained so kind of lethal weapon. Forcing herself to stay calm, she bent down and reported the situation to Old John. Grandfather and granddaughter hesitated briefly between subduing the suspect imdiately or retreating first—and chose the latter.
First, they didn’t know what kind of weapon was inside the hooded person’s backpack. If it was only cold weapons, that would be one thing—but if it was sothing like sulfuric acid or a bomb, rushing in to fight would be practically suicidal. Second, there were simply too many people in the theater. Even now, a steady stream of people was pouring in through the entrance. In such an environnt, if a fight suddenly broke out, it could easily cause panic, leading to a crush or stampede. More people might end up dead.
So Everly pretended she needed to use the restroom. She and Old John left their seats one after the other and moved against the flow of the crowd toward a small door on the west side of the auditorium. This door led to the restrooms located on either side of the hall. Since admission was free for the entire venue today, the door hadn’t been locked.
On the way, they passed Misha. Everly raised a finger to her lips in a gesture for silence, then tugged at her arm. After the cockroach disaster, the townspeople of Lemot had complete trust in the four heroes. Everly didn’t need to explain anything—Misha imdiately understood. Pretending she had sothing to share with her good friend, she followed behind Everly and Old John, leaving the lively auditorium with them.
Most of the audience was still crowded at the main entrance waiting to get in, and the side corridor of the lobby was currently empty. As soon as they stepped out of the hall, Everly quickened her pace, almost breaking into a run toward the exit.
“What’s wrong? What happened, Everly?” Misha hurried to catch up, lowering her voice as she asked.
Everly tilted her head and glanced at Old John behind her. He was holding up his phone, speaking in a low voice to the police station. Since they couldn’t handle this themselves, the first thing to do was, of course, to call the police.
As a forr police detective, Old John knew very well how Arican police operated. If you didn’t make the situation sound serious, they wouldn’t treat it seriously. So right from the start, he dropped a bombshell—telling the Micano police dispatcher that a dangerous individual carrying a bomb had appeared at Xinkalan Theater, and that they needed to send additional officers to investigate. He also gave a rough description of the suspect: dressed in black, wearing a hood, and carrying a backpack.
When Misha heard Old John’s words, she imdiately shuddered in fright.
“Don’t be scared. We just need to leave quickly…” Everly reassured her, gently patting the girl on the shoulder.
“Mm.” Misha nodded, becoming even more alert as she followed closely behind Everly.
The three of them ca out through the west-side corridor and were t with a vast, tightly packed crowd. The outer waiting lobby—and even the stretch from the lobby to the theater’s main entrance—was filled everywhere with people who had co to watch the performance.
Everly understood the spectacle well. After all, Micano was relatively geographically isolated, and large-scale events like this were rare. Not to ntion that the troupe performing this ti was the fairly well-known “Pipe Theater Company” from Yonah State. In the minds of Aricans, Yonah State held a status similar to that of Paris in the hearts of the French—a synonym for fashion and trendiness. As a result, nearly half the residents of Micano had been stirred into action, swarming toward Xinkalan.
The performance hall wasn’t full yet. The audience had ford three lines and, under the guidance of volunteers and theater staff, were filing into the hall one after another. Everly had originally been considering whether to send so kind of signal to get people to leave before they entered—but soon, within the waiting crowd, she spotted several more people dressed in black with hoods pulled up.
Their attire was identical to the hooded figure inside the auditorium. If not for the differences in body build, she would have almost thought the one inside had mastered the art of cloning himself.
Although her sense of danger didn’t react when she saw these people, that didn’t an they were safe. When facing multiple related sources of danger, her warning ability sotis only triggered once. To be cautious, Everly quickly abandoned the idea of giving any alert. Together with Misha, she moved ahead, parting the surrounding crowd to clear a path for Old John behind them.
With theater staff uniforms on, this step went relatively smoothly.
After forcing their way through the crowd, the three finally reached the entrance of the performance building and stood on the steps. Everly looked up and saw that, across the internal road separating it from the performance building, seven or eight hooded figures dressed in black had, at so point, taken up scattered positions near the theater’s main gate.
All of them were dressed exactly the sa. And just as Everly was debating whether to pretend she hadn’t seen anything and slip out through the main gate, the hooded figures seed to receive so kind of signal. In unison, they pulled back their hoods, revealing animal masks of various kinds beneath.
“What’s this, are they actors from the theater?” Everly heard a passerby mutter.
But they were obviously not actors.
Under the stunned gaze of the security guard, a black-clad figure wearing a rabbit mask strode quickly to the security booth. From behind his waist, he drew a handgun fitted with a silencer. Before the guard could react, he raised the gun and fired a shot at the man’s head.
There was a dull “splatter” as thick blood sprayed out, staining the security booth’s window. Because of the angle, however, the people at the theater entrance did not notice the tragedy unfolding there.
At that mont, they were instead puzzled by why this group of hooded figures—who had appeared out of nowhere—were closing the wrought-iron gate at the theater entrance.
“Hey, you! Didn’t you say the theater would be free for a week? Why are you closing the gate?” A middle-aged man who had just been about to enter found the gate suddenly shut in front of him. His face darkened as he raised his voice in complaint.
The masked figures said nothing. They turned their heads, their hidden faces eting each other’s gaze beneath the animal masks. Then one of them, wearing a goat mask, pulled back the bolt and opened the tightly shut iron gate just a crack, stepping aside to signal the middle-aged man to co in.
“That’s more like it. How can you refuse custors in broad daylight…”
The man grumbled as he stepped through the gate. The mont his front foot touched down inside, he heard a loud clang behind him—the iron gate, which had just been open, slamd shut again.
Not only that, but a masked figure wearing an eagle mask took a lock from a pouch at his waist and, with a sharp click, secured the iron gate.
“Hey, hey! Why does only he get to go in? We want to see the performance too!”
Behind the middle-aged man stood a couple. They had intended to enter together with him, but were roughly blocked outside. Instantly indignant, they began pounding on the iron gate and shouting.
Their cries froze in their throats almost at once.
In the next second, the masked figures surrounding the middle-aged man all lowered their heads in unison, looking down at the short, heavyset man as they revealed the weapons hidden behind their waists.
An axe. A hamr. A sickle. A dagger…
The middle-aged man didn’t even have ti to let out a scream before one of the masked figures struck him down with an axe to the head. The others rushed forward with their weapons. Within monts, the man on the ground was reduced to a mangled, blood-soaked corpse.
“Aaaahhhhh—!”
The horrified scream ca a beat too late, piercing the air at the theater entrance and tearing open the prelude to a massacre.
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