Valerica arrived at Villa 4 with a bottle cradled in her arms like it was sothing precious. Knowing her, it probably was.
"I brought wine," she said, stepping through the doorway with that perfect posture she always had. Even in the evening light, even when she was supposed to be relaxed, she carried herself like royalty. Which, Vane supposed, she technically was.
He looked at the bottle as she set it carefully on his kitchen table. The label was old, elegant, the kind of thing that scread "expensive" even to soone like him who knew nothing about wine.
"Should I be worried about where this ca from?" he asked, raising an eyebrow.
Valerica’s lips curved into the smallest smile. "Not at all. It’s from my father’s secondary cellar, not the primary one."
Vane blinked. "There’s a difference?"
"There is now, for you." She ran her finger along the bottle’s neck absently. "The secondary cellar is where Father keeps the wines he actually chose himself, rather than the ones he inherited. It’s the closest thing to a personal preference he ever shows."
Sothing warm flickered in Vane’s chest at the implication. She’d brought him sothing her father personally liked. That felt... significant.
"And he won’t notice it’s missing?" Vane asked.
"He has forty-three bottles of this vintage. I’ve borrowed six over the last three years." Her dark eyes t his with quiet amusent. "The mathematics are in my favor."
"Borrowed," Vane repeated, unable to keep the smile off his face.
"Indefinitely borrowed," she confird, completely unbothered. "Do you have wine glasses?"
His smile faded slightly. "I have glasses."
The glasses he produced from the Academy-issued kitchen cabinet were functional at best. Plain, standard, the kind of thing that ca with the villa and got the job done without any pretense of elegance. When Valerica looked at them, Vane saw sothing flicker across her expression. Not disappointnt exactly, just a tiny mont of adjustnt, like she was recalibrating her expectations.
She didn’t say anything about it though. That was very like her.
They sat down at his small table, the bottle between them and the September evening darkening outside. Vane could hear the soft sounds of Mara already asleep in her room. His sister had vanished right after dinner with the kind of purposeful efficiency that told him she’d assessed the situation and decided they didn’t need a twelve-year-old third wheel. Sotis her perceptiveness was a little unnerving.
Through the window, he could see the bird that had been hanging around the garden lately, perched on the low stone wall like it owned the place.
Vane poured the wine, watching the dark red liquid catch the lamplight. Valerica picked up her glass but didn’t drink imdiately. Instead, she held it up, studying it with an intensity that seed excessive for a beverage.
"My father taught to assess wine before drinking it," she said, tilting the glass slightly. "The color, the clarity, how the surface moves when you turn it. He used to say the first thirty seconds of observation tell you more than the first thirty seconds of tasting."
Vane watched her, fascinated despite himself. "What does this one tell you?"
She examined the wine for another mont, her expression thoughtful. "That soone who genuinely loves wine chose it, not soone who was just selecting the most expensive option." She took a sip, her eyes closing briefly. "Father doesn’t express preferences often, but when he does, he’s usually right."
Vane tried his own glass. The wine was good. Really good, actually. He didn’t have the vocabulary to explain why, couldn’t na the notes or the finish or whatever wine people talked about. But he’d spent enough years in Oakhaven drinking whatever rotgut he could afford to recognize quality when he tasted it.
"You grew up with all this," he said. It wasn’t quite a question.
Valerica set her glass down, turning it slowly with her fingertips. "I grew up with everything my father considered worth knowing. Wine was just one small part of it."
"What else?"
"Diplomatic protocol. Mana-compression theory. Estate managent. The complete histories of the twelve great houses. The specific distinctions between thirty-seven different grades of formal address." She looked down at the table, and for a mont, sothing tired crossed her face. "He’s nothing if not thorough."
There was sothing in her voice that made Vane’s chest tighten. "Was any of it actually useful?"
"Most of it, yes. So of it was armor." She looked up, eting his eyes. "It took a long ti to figure out which was which."
Vane studied her across the table. She was wearing what he’d co to think of as her "evening mode." Still composed, still perfectly put together, but with so of the formal edges slightly softened. Over the past year, he’d learned that Valerica’s composure wasn’t an act. It was more like the foundation of a building. Sothing she’d constructed because she’d needed it, and now it held everything else up.
The problem was, Vane had no idea how to exist inside that careful architecture.
He knew how to work with her. They’d spent a year training together, studying together, running tactical scenarios and preparing for evaluations. He knew the rhythm of their partnership when they had a purpose, a goal, sothing to accomplish together.
What he didn’t know was what they were supposed to do on a quiet Tuesday evening with good wine and no mission to complete.
He’d realized over the past few days that he was much better at wanting things than actually having them. It was becoming a problem.
Valerica was watching him with those dark, perceptive eyes. Not analyzing him like a threat or a political puzzle. Just watching.
"You’re overthinking sothing," she said.
"I’m not," Vane lied automatically.
"You are. You have that expression you get when you’re trying to model a situation and the model isn’t working." She took another sip of wine, completely calm. "What’s the problem?"
Vane looked at the table. He could deflect. Should probably deflect. But sothing about the quiet intimacy of the mont, the wine, the lamplight, made him answer honestly.
"I don’t know what this is supposed to look like."
Valerica tilted her head slightly. "This?"
"Us. Here. Without sothing to solve or plan or prepare for." The words ca out rougher than he intended. "I don’t have a frawork for it."
The silence stretched between them. Outside, the bird ruffled its feathers.
"I see," Valerica said finally. Her voice was soft, thoughtful. "How long has this been bothering you?"
"Since the hill." The hill where everything had changed. Where they’d both finally said the things they’d been carefully not saying.
"That was four days ago."
"Yes."
She looked at him for a long mont, and Vane felt sothing in his chest pull tight. There was no judgnt in her gaze, no frustration. Just that clear, direct way she had of seeing things exactly as they were.
"My father courted my mother for eighteen months," she said suddenly. "Every interaction was scheduled. Every conversation docunted. He brought her estate financial records as gifts because he thought practical information was more respectful than flowers."
Vane blinked at the apparent non sequitur. "That’s... very specific."
"I’m telling you because my mother told this story when I was eleven and asked her what love looked like. She said it didn’t look like that, but she’d eventually recognized sothing real in him anyway. It was just buried under layers and layers of organization and structure."
Vane felt heat creep up the back of his neck. "Are you saying I’m like your father?"
"I’m saying you’re treating this like a tactical problem instead of just letting it be what it is." Valerica’s voice was gentle but firm. "You don’t need a model for this, Vane. There’s no evaluation. No construct wave to survive. There’s just wine, and you, and . That’s all."
She was right. Of course she was right. Valerica was almost always right about people, about him especially. The realization sat in his chest like a weight.
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