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Now reading: Chapter 71 70: Which To Choose?... I Don't Want To Be Caged from Karuppan: King of Openings., a Drama novel by Karikalan000.

(A/N):

Drop a here that you find funny. Or reflects your mood.

Guys I hope you put more comnts and power stones... Which will encourage ...

....

That evening, after returning to his room, Karuppu finally opened his laptop.

The conversation with Jas Caron still lingered in the back of his mind.

Especially the part about storytelling and technology.

For soone studying VFX while simultaneously building an acting career, those words felt strangely personal.

With a shake of his head, he pushed the thoughts aside.

Three scripts were waiting.

And sowhere among them might be his next film.

The screen illuminated the dimly lit room.

Outside, California's evening had already settled in.

The sounds of traffic drifted faintly through the window.

Across the corridor, he could hear Adelaide and Kristen arguing about sothing.

Most likely acting.

Again.

Karuppu opened the first file.

BILLA

Director: Vishnuvardhan

His eyes narrowed imdiately.

He knew this story.

Or rather, he knew the foundation of it.

The legendary cri-action thriller.

A stylish remake of Billa.

As he continued reading, he found himself impressed.

The screenplay moved quickly.

There was little wasted dialogue.

The story focused heavily on presentation.

Style.

Mystery.

Mass monts.

The protagonist wasn't a traditional hero.

He was dangerous.

Calculated.

Cool.

The double-role portions particularly caught his attention.

Playing two completely different personalities within the sa film would be an interesting challenge as an actor.

The underworld setting.

The international locations.

The stylish action sequences.

The betrayal and deception.

Everything felt sleek.

Modern.

Comrcial.

By the ti he finished, he leaned back in his chair.

"Guaranteed hit."

He muttered to himself.

At least on paper.

The audience would love it.

Especially after 13B.

But there was one issue.

It felt safe.

Not bad. Not boring.

Safe.

He made a note before opening the next script.

MAHADEERA

Director: S. S. Rajamouli

The mont he read the opening pages, his expression changed.

This wasn't rely a movie.

This felt like a dream.

A legend.

A curse.

A promise spanning centuries.

The story moved between past and present.

Reincarnation.

Love.

Betrayal.

War.

Destiny.

As the script continued, Karuppu found himself completely absorbed.

The historical portions were magnificent.

Warriors.

Kingdoms.

Battles.

Horses.

Ancient forts.

The emotional stakes felt enormous.

The protagonist wasn't simply fighting an enemy.

He was fighting fate itself.

And V. Vijayendra Prasad's writing style was unmistakable.

Every major scene felt cinematic.

Karuppu could almost visualize the cara movents while reading.

He stopped midway and rubbed his chin thoughtfully.

"He's insane."

And he ant that as a complint.

Only a madman would attempt sothing this ambitious.

Only soone with absolute confidence would write a script requiring such scale.

Yet knowing Rajamouli's reputation from the future, Karuppu wasn't surprised.

As he reached the climax, he finally understood why this script felt different.

It wasn't trying to be realistic.

It was trying to be legendary.

The kind of story grandparents told grandchildren.

The kind of story people rembered years later.

When he finished reading, nearly three hours had passed.

Karuppu stared at the screen quietly.

Of the three scripts, this one affected him the most emotionally.

Not because it was perfect.

But because it aid higher than the others.

Much higher.

Finally, he opened the third file.

OM SHANTI OM

Director: Farah Khan

Imdiately the tone changed.

The opening pages were filled with humor.

Energy.

Color.

Cinema.

Lots and lots of cinema.

Farah Khan's love for Bollywood practically jumped off every page.

The story followed an aspiring actor.

Dreams.

Heartbreak.

Murder.

Rebirth.

Revenge.

Unlike Magadheera, which treated reincarnation almost like destiny, Om Shanti Om treated it like entertainnt.

And sohow it worked.

The screenplay was fun.

Self-aware.

Playful.

Several scenes made him laugh out loud.

The movie openly celebrated the film industry while simultaneously making fun of it.

That balance wasn't easy to achieve.

As he continued reading, he understood why Shah Rukh Khan had agreed to work with Farah Khan previously.

The woman understood audiences.

She knew exactly how to entertain them.

By the ti he finished the script, the clock showed nearly midnight.

Karuppu closed the laptop.

Then imdiately opened it again.

Because the decision wasn't easy.

Very rarely did three strong scripts arrive together.

Especially three scripts so different from one another.

Billa.

Style.

Mass appeal.

Action.

Om Shanti Om.

Entertainnt.

Emotion.

Bollywood scale.

Magadheera.

Ambition.

Legacy.

Epic storytelling.

Each offered sothing unique.

Each represented a different path.

Karuppu stood up and walked toward the window.

The cool night air entered the room.

His mind automatically drifted toward the future.

In his previous life's mories, he knew what these films would beco.

Billa would redefine stylish action in Tamil cinema.

Om Shanti Om would beco one of Bollywood's biggest entertainers.

Magadheera would change Telugu cinema forever and announce Rajamouli to the entire country.

That knowledge made the decision even harder.

Because he wasn't choosing between good and bad.

He was choosing between great and great.

A notification suddenly appeared on his laptop.

A ssage from his secretary.

"Sir, have you finished reading?"

Karuppu laughed.

The poor man was probably waiting anxiously in India.

He typed a short reply.

"Yes."

The response arrived almost imdiately.

"Which one do you like?"

Karuppu looked toward the three script files still open on the screen.

Then his eyes stopped on one title.

MAHADEERA

For a long mont, he remained silent.

Because deep inside, the actor in him already knew.

Billa would make him look cool.

Om Shanti Om would make him popular.

But Magadheera...

Magadheera would make history.

Karuppu stared at the laptop screen for several long monts.

"...."

The cursor blinked patiently inside the reply box while his secretary waited for an answer from India.

A few minutes ago, the choice had looked obvious.

Magadheera.

The mont he had finished reading the script, he had felt it.

The scale.

The emotion.

The tragedy.

The larger-than-life storytelling.

It was the type of script that arrived once in several years.

The type of story actors dread of getting.

Even now, as he looked at the title sitting on his screen, he could vividly rember scenes from the script.

The battle sequences.

The reincarnation angle.

The emotional monts that connected the past and present.

Rajamouli's ambition practically leaked through every page.

Karuppu would be lying if he said he wasn't tempted to imdiately type back.

I choose Magadheera.

Simple.

Done.

Decision made.

Yet his fingers never touched the keyboard.

Instead, he leaned back in his chair and stared at the ceiling.

"...."

The room was quiet except for the faint hum of his laptop.

Across the corridor he could hear distant voices.

Most likely Adelaide and Kristen discussing sothing again.

Those two could sohow turn a simple conversation about acting into a full-scale debate.

A small smile appeared on his face before his thoughts drifted elsewhere.

Back to India.

Back to the caravan of 3.

Back to a conversation he hadn't thought about in months.

Kamal Haasan's serious expression.

Rajinikanth sitting beside him.

The warning both legends had given him regarding thod acting.

But more importantly, the advice they had casually slipped into the conversation afterward.

Advice that at the ti he hadn't fully appreciated.

"Don't let the audience put you inside a box."

He rembered Kamal saying sothing similar.

An actor should constantly challenge himself.

Constantly move.

Constantly evolve.

Rajini's advice had been even simpler.

"If people know what you're doing next, you've already lost half the excitent."

At the ti he had laughed.

Now sitting alone in California, the aning behind those words suddenly felt much clearer.

Karuppu reopened all three scripts.

He began reading his notes once again.

Not as an actor.

As a strategist.

As soone planning the next ten years of his career.

Billa.

A stylish action entertainer.

Mass appeal.

Cool factor.

Sharp suits.

Gangsters.

Double roles.

Hero monts.

The type of film audiences could watch with whistles and cheers.

Om Shanti Om.

A colorful entertainer.

Cody.

Emotion.

Cinema celebrating cinema.

Bollywood scale.

A story that could appeal to almost everyone.

Magadheera.

An epic.

A commitnt.

Sothing requiring months of preparation.

The kind of project that demanded everything from its lead actor.

Karuppu slowly rubbed his chin.

The more he thought about it, the more he realized choosing only one of them felt wrong.

Each script offered sothing completely different.

Each script showed a different side of him as an actor.

More importantly, each script targeted a different audience.

His mind automatically began connecting dots.

13B had just finished its run.

The movie had nearly touched a thousand crores.

The critics loved it.

The audience loved it.

The industry loved it.

But what was the narrative currently surrounding him?

He already knew the answer.

People were calling him a content actor.

A story-driven actor.

An experintal actor.

A perforr who prioritized scripts.

None of those labels were negative.

In fact, many actors would kill for such praise.

But Karuppu didn't like labels.

Because labels eventually beca cages.

He had seen it happen countless tis in his previous life.

So actors beca known only for serious films.

So beca known only for romance.

So beca known only for action.

So beca known only for cody.

Eventually audiences stopped seeing them as actors.

They beca products.

Predictable products.

Karuppu didn't want that.

He wanted unpredictability.

One year he should be able to terrify audiences.

The next year make them laugh.

The year after that lead a fantasy epic.

Then return with a stylish comrcial entertainer.

That variety itself would beco his identity.

Suddenly everything clicked.

He reached for his phone and called his secretary directly.

The man picked up almost imdiately.

Clearly he had been waiting.

"Sir?"

"I've made my decision."

"Which one?"

Karuppu smiled hearing the question.

"All three."

Silence.

Complete silence.

"...."

"...."

"...."

For nearly ten seconds, the line remained dead quiet.

Karuppu actually pulled the phone away from his ear and checked if the call had disconnected.

It hadn't.

Finally the secretary spoke.

"Sir..."

His voice sounded strained.

"Could you repeat that?"

"I said all three."

Another silence followed.

Karuppu could practically imagine the man sitting in his office, glasses halfway down his nose, wondering whether his client had finally lost his mind.

"Sir, these are three different industries."

"I know."

"Three different production schedules."

"I know."

"Three different directors."

"I know."

"Three different production houses."

Karuppu laughed hearing his secretary's each words.

"I know all of that."

The secretary let out a defeated sigh.

"Then explain. It might beco a black mark if he commits and takes his na out."

Karuppu stood up from his chair and walked toward the window.

Outside, the California night stretched endlessly.

"Billa cos first."

The secretary imdiately began typing.

"Reason?"

"Because I need a comrcial film."

That answer surprised him.

"What do you an?"

Karuppu looked out toward the distant lights of the city.

"People currently see as the actor from 13B."

"The actor from Aadhavan needs to prove himself he hasn't forgotten comrcial movies."

"They expect to choose unusual scripts."

"They expect experintation."

"That's good."

"But I don't want people thinking that's all I can do."

The secretary quietly listened.

"I want to remind audiences that I can also carry a pure comrcial entertainer."

"I can do style."

"I can do action."

"I can do mass."

"Billa gives that opportunity."

The secretary slowly nodded.

Even over the phone Karuppu could hear the man understanding his reasoning.

"Okay."

"Billa first."

"Then Om Shanti Om."

"Why second?"

Karuppu smiled he was ready with his reason.

"Because it's fun."

The secretary blinked caught off guard.

"That's your reason?"

"Partly."

Karuppu laughed hearing the confused voice of his secretary.

"It's different from Billa."

"Different audience."

"Different industry."

"Different tone."

"The transition will feel fresh."

He paused for his words to settle in.

"And honestly?"

"Yes?"

"I really like the script."

That earned a laugh from the secretary.

Then ca the final title.

"Magadheera."

For the first ti during the conversation, Karuppu's voice beca completely serious.

"That one cos last."

The secretary frowned.

"Your favorite script?"

"Exactly."

"Shouldn't that be first?"

Karuppu shook his head even though the man couldn't see him.

"No."

He turned back toward his laptop.

The script still remained open.

"If I do Magadheera..."

He paused.

"I want to do it properly."

The room beca quiet.

"It needs preparation."

"It needs physical transformation."

"It needs training."

"It needs my complete focus."

"I don't want to rush it."

"I don't want to share my attention with another project."

"I want to give Rajamouli everything I have."

The secretary finally understood.

For nearly a minute he said nothing.

Then he quietly replied.

"I'll contact the production houses tomorrow."

"Good."

"I'll start the discussions."

The call ended.

Karuppu placed the phone on the table and sat back down.

For a long ti he simply stared at the three script files on his screen.

Three different movies.

Three different industries.

Three different versions of himself.

Most actors spent years searching for one good script.

He sohow had three sitting in front of him at the sa ti.

A smile slowly appeared on his face.

Not because he knew these films would succeed.

Not because of box office numbers.

Not because of fa.

But because for the first ti since entering cinema, he felt like he could see the shape of the career he wanted.

Not a star who repeated himself.

Not an actor trapped in a single genre.

Not soone audiences could predict.

He wanted the audience to walk into every new announcent and ask the sa question.

"What is Karuppu doing this ti?"

And if he could maintain that curiosity for the next twenty years, then perhaps one day, when people looked back at his career, they wouldn't rember him for a single movie.

They would rember him for doing everything.

*******************************

(Author note:)

I hope you guys give your opinion and idea's.

-->

Don't forget to review guys...

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