//CLARA//
The note arrived before dawn, slipped under my door with the kind of silence that spoke of professional discretion. I found it when I woke, a cream-colored envelope bearing no na, no seal, nothing to trace it back to its sender. Inside was a single sheet of heavy stock paper and a bank draft that made my breath catch.
The funds have been transferred to an account in your na at the rcantile Trust Company. No further docuntation will be required. Use it as you see fit.
No signature. No flourish. Just Casimir’s efficient, maddening scrawl on the parchnt paper.
I stared at the number for a long ti. One hundred thousand dollars. Finally in my hands. In my na. No questions asked and no oversight provided. It was the most terrifying and exhilarating thing I had held since waking up in this century.
I folded the draft carefully and tucked it into the pages of Eleanor’s diary. If anyone ca looking, they would find nothing. I had learned that much from watching Casimir operate.
Paper was power and power needed protection.
The next three days were a masterclass in discretion.
I could not simply walk into a bank and open an account. A woman alone, especially a woman with my supposed background, would raise questions I could not answer.
So I worked through Hattie. By the end of the second day, the money was safe. The account was active, and no one in the Guggenheim household was the wiser.
Well. Almost no one. None of it would have been possible without Hattie, though the girl remained blissfully unaware of what she had helped set in motion. She had only ntioned a distant cousin who worked at the rcantile Trust, complaining about his gambling debts over tea one afternoon.
I had filed the information away, waited three days, and arranged a quiet eting in the servant’s entrance where money changed hands and questions were not asked.
The fifth day was for preparation.
I could not simply hand Oliver a fortune and wish him well. That was not how business worked and that was not how I worked. I needed structure. I needed leverage. I needed a contract so tight that even Casimir’s lawyers would have to respect it.
I found my lawyer through Hattie’s cousin, a young solicitor nad Graves Cromwell who worked out of a cramped office near the financial district. He was thin and nervous and looked at like I was either a genius or a lunatic when I walked through his door unannounced.
"I need a partnership agreent," I said without preamble. "Fifty-fifty equity. Equal decision-making power. Ironclad exit clauses and dispute resolution that favors neither party."
I wrote every line of that contract myself, hunched over the desk until my fingers went numb and my reflection looked like I’d been working in a coal mine. The gas lamp smoked and sputtered and turned my nose black with soot, but I didn’t stop.
By the ti the sun ca up, I had a docunt that said everything I needed it to say. All it needed was a lawyer’s stamp to make it real. All it needed was Oliver’s signature to make it dangerous.
He blinked at from behind his spectacles. "Miss...?"
"Thorne," I said. "And before you ask, yes, I know what I am doing. No, I do not have a male relative to vouch for . Yes, I can pay you in cash. Can you do it or not?"
He did. I walked out of his office with a big smile and a docunt so airtight it could have survived a shipwreck.
Exactly one week later, I summoned them both. Oliver arrived first, looking curious, his usual easy smile already in place.
"You said it was urgent," Oliver said, glancing toward the open door where a footman was stationed just out of earshot.
"Urgent is an understatent." I poured him tea he didn’t want and slid a folder across the mahogany table. "But yes. There’s sothing I wanted to discuss with you."
He opened the folder. Inside was the partnership agreent. Mr. Cromwell’s finest work, complete with seals and signatures and a very specific clause about dispute resolution that I’d insisted on.
"I’ve been thinking about your typesetting machine," I said quietly. "About the Linotype."
"Ms. Thorne, Eleanor, I told you, I don’t have the—"
"You do now." I lowered my voice, eyes flicking to the doorway. "I’m investing. One hundred thousand dollars. In cash, deposited into a holding account under both our nas."
Oliver’s teacup hit the saucer with a sharp clack. "One hundred... Clara, where on earth—"
"The source doesn’t matter." I leaned forward, my voice dropping to a conspiratorial whisper. "The terms do. We’re going fifty-fifty. Equal partners. Everything split down the middle."
He stared at like I’d just offered him the moon. "That’s... Eleanor, that’s more than fair. That’s insane. What do you get out of this?"
"I get half of everything you build." I tapped the papers.
"And I get to be the backbone. You’re the face. The inventor, the genius, the man who shakes hands with crusty old publishers who wouldn’t give a woman the ti of day. But the strategy? The marketing? The blueprint for how we take over every newspaper in the country?"
I smiled. "That’s mine."
Oliver read through the agreent, his brow furrowing deeper with every page.
"You’ve thought of everything. Exclusivity clauses. Pricing tiers. A rollout schedule." He looked up, sothing like wonder in his eyes. "This is brilliant!"
"I know." I said, leaning back with perhaps a bit too much confidence, letting him absorb it.
Not an hour later, Mr. Cromwell arrived looking like a man who had just realized he’d walked into a den of lions wearing at pants. His eyes went wide when he saw the family portraits, wider when he recognized the crest on the door, and positively saucer-like when he understood exactly whose house he was standing in.
"Miss Thorne, this is..." He trailed off, unable to finish.
"The Guggenheim estate," I said smoothly, letting him marinate in his own panic for a mont. "Now you know who you’ve been dealing with."
His mouth opened and closed soundlessly, like a fish contemplating its own mortality. I clapped my hands once, and he snapped back to attention.
"Now, gentlen." I smiled and gestured to the papers on the table. "Shall we?"
Oliver sat on the edge of the velvet armchair, his eyes fixed on the three identical stacks of parchnt as if they might suddenly burst into flas, his fingers drumming a nervous rhythm on the armrest.
He kept glancing toward the door, then back at , then at the papers, like a man waiting for the other shoe to drop but not sure from which direction it would co.
Next to him, Mr. Cromwell hunched over the contract like a man trying to make himself smaller. His eyes darted sideways with every creak of the floorboards, every distant footstep in the hall. He worked through the paper with the frantic energy of soone who wanted to finish before the king of the jungle arrived.
The clock on the mantle ticked louder with each passing second, its rhythm drilling into the silence like a countdown. Footsteps grew closer in the hallway, and every muscle in the room tensed in unison. They paused right outside the door and held there for a breathless mont that stretched into eternity.
Then they moved on, fading into the distance.
Mr. Cromwell let out a breath he had been holding, his entire fra sagging with relief as he wiped his brow with a trembling hand. Oliver’s shoulders dropped a fraction of an inch, though his knuckles remained white where he gripped the armrest.
I alone had not flinched, had not given a single inch of ground to fear.
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