//CLARA//
I pressed my palms against the cool marble of the washroom basin and stared at the woman in the mirror. My face. My eyes. The sa face I’d seen every morning of my life, staring back at from a body that wasn’t mine.
I’d been so busy cataloguing Eleanor’s differences. The curves I’d never had, the softness of a body that hadn’t been sculpted by modern gyms—that I’d missed the obvious.
The face was mine. It had always been mine. The sa face Eleanor Thorne had worn a century ago, looking back at from a ti that should have swallowed her whole.
But the woman staring back at had done things Eleanor never would have imagined possible. Had taken a man into her mouth this morning and wasn’t sorry about it. Had felt power in his surrender.
"Pull yourself together, Clara," I whispered to the mirror. "You’re not so schoolgirl, okay."
I straightened my gown, navy silk with jet beading that caught the light.
Eleanor’s dress. Eleanor’s century.
I sighed, trying hard to convince myself not to dwell on it.
Get this over with, Clara.
Casimir was waiting in the corridor.
"Ready?" he asked.
"For Oliver or for you?"
The corner of his mouth twitched. "I promised to behave."
"Promises are cheap currency, Mr. Guggenheim."
"Then I’ll spend generously."
We walked to the park in silence that felt like shouting.
The autumn air carried the smoke of a thousand coal fires, and the chestnut vendors called their wares in voices hoarse from decades of repetition.
I kept my gloved hands folded at my waist, my parasol tilted against the slanting light, and tried not to notice how Casimir positioned himself between and every passing carriage.
"Eleanor!"
Oliver’s voice cut through the park’s steady hum like a cannonball, and I turned to find him jogging toward us, his coat flying open, his scarf trailing behind him like a battle flag.
He was already talking before he reached us, breathless, half-shouting.
"Chamberlain’s secretary sent word this morning. The warehouse is ours. The Linotype will be delivered Thursday. He wants to see it run. A full demonstration. With witnesses."
I laughed, caught in his montum. "Slow down. Which witnesses?"
"Everyone." He spread his arms wide, nearly clotheslining a passing gentleman. "The Tribune. The Herald. The Manufacturers’ Association. The Tis—obviously, Chamberlain’s already promised to bring his best people. He wants to show off his new toy."
"His newspaper," I corrected, grinning.
Oliver grabbed my arm, steering toward the path, but the low growl that rumbled from Casimir’s chest didn’t go unnoticed. I pretended it did.
"He’s going to parade us in front of every editor in New York like we’re his personal discovery. Which ans we have to be perfect. Which ans—"
He stopped abruptly, spinning to face .
"We need a program. Maybe a demonstration tiline. People love tilines, Eleanor. They see a tiline, they think it’s official."
"Oliver—"
"And the invitations." He was already walking again, pulling with him. "We need to make them want to co. Not just a card. Sothing that makes them think they’re missing sothing." He snapped his fingers. "Like a threat."
"A threat?"
"A velvet threat." His eyes were bright, manic, and he went on rambling.
"We need to find a restaurant." He released , already planning again. "Sowhere with good light. I want to go over the guest list. And Mr. Chamberlain sent sketches—wait, did I show you the sketches?"
He was already digging through his coat, scattering papers. I caught one before it hit the ground. Another fluttered past Casimir, who caught it with the reflexes of a man who’d spent his life intercepting things before they fell.
"Sorry." Oliver was grinning, not sorry at all. "I’ve been carrying these for three days. I couldn’t sleep. I kept thinking about the timing, the flow, the mont the machine starts."
I looked at the sketch in my hands. The Linotype, rendered in careful ink, rising from the page like a cathedral.
"I want to go over everything—"
He was off again, already climbing the stairs to the restaurant we’d picked, his voice echoing in the narrow stairwell. I followed, laughing, caught in the current of his excitent.
Casimir brought up the rear, silent as always. But when I glanced at him, his hand was at my back, gently steering like the gentleman he was.
The restaurant was warm, the windows fogged with steam from the kitchen. Oliver had claid the corner table, spreading his papers across the linen like a politician planning a campaign.
"Fifty invitations to start," he was saying, pointing at a list scribbled on Mr. Chamberlain’s letterhead. "More if we can get them. I want the room full. I want standing room only. I want them to have to push past each other to see the machine."
Casimir took the seat beside , close enough that his sleeve brushed mine. I ignored it. I was very good at ignoring things.
"The guest list," I said, pulling the paper toward . "Who’s confird?"
"Chamberlain, obviously." Oliver ticked off nas on his fingers. "The Tribune’s editor-in-chief. The Herald’s managing editor. Three manufacturers from the association, though I’m still waiting on two of them." He hesitated. "The Tis is sending a junior editor. Mr. Chamberlain wants to keep the official involvent quiet until after the demonstration."
"Smart," Casimir said. "If it fails, he distances himself. If it succeeds, he claims it as his own."
Oliver looked at him, surprised. "You think he would?"
"I think he’s a businessman." Casimir’s voice was dry. "Like ."
Oliver laughed, a short, surprised sound. "I never know if you’re joking."
"I never know either."
I hid my smile behind my wine glass.
Oliver was already moving on, pulling out another paper.
"The program. I was thinking we start with a brief history of typesetting. Show them how slow it is, how labor-intensive. Then the demonstration. Then—"
He stopped, looking at . "What?"
"Nothing." I was grinning. "You’re just—you’re very excited about this."
"I’ve been working on this machine for five years, Eleanor." His voice was earnest, almost vulnerable. "Five years of sketches and theories and people telling it couldn’t be done. Two years of actually trying to make it real. Until you ca. You’re a blessing from the heavens."
He spread his hands, sothing shifting in his expression. "I want to see it work. Just once. In front of people who said it couldn’t be done."
I reached across the table and took his hand. Just for a mont. Just enough.
"It’s going to work, Oliver. We’re going to make it work."
He squeezed my fingers. "I know."
We stayed like that for a mont, two people who had built sothing together, who were about to watch it beco real. Then I pulled away, reached for the wine, and raised my glass.
"To the Linotype."
Oliver raised his. "To the Linotype."
Casimir raised his. "To both of you."
We drank. Oliver was already talking again, already sketching new ideas in the margins of Mr. Chamberlain’s letter. I let his voice wash over .
The eting ended with Oliver gathering his papers in a frenzy, his enthusiasm trailing behind him like smoke as he practically skipped down the stairs.
I stood in the restaurant doorway, watching the space where he’d been, and felt sothing loosen in my chest. Casimir filled the space beside , unearthing the very thing I was trying to bury this morning.
"Shall we?"
When I turned to him, he offered his arm. I smiled and took it.
The street was quiet, the evening light soft, the last of the vendors packing up their carts. We walked without speaking. Not the cold silence of before, the one that felt like a held breath, like a door about to slam shut.
Sothing else. Sothing that didn’t need filling.
"Thank you." My voice ca out softer than I intended. "For today."
"You asked to listen, and I did."
I looked at him. He was watching the street ahead, his face unreadable. But his hand was warm where it covered mine on his arm.
"He’s competent," he said after a mont. "He believes in what he’s building."
I waited for the edge, the sharpness that used to coat his words whenever Oliver’s na ca up. It didn’t co.
"He believes in you," he added.
"That bothers you?"
"It should." He paused, his thumb tracing small circles on the back of my hand. "I was wrong about him."
I didn’t respond. I didn’t know what to say.
Thank you seed too small. I understand seed too big. So I just walked beside him, my hand in his, and let the silence settle between us.
It was enough. For now.
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