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Now reading: Chapter 313: My Gacha Pull Has Unlocked the Main Quest from My Scumbag System, a Fantasy novel by Rikisari.

Golden sparks showered the room in a cascading waterfall of divine light, each one fading into nothing before it touched the sterile hospital floor. In their wake, floating in the air with impossible stillness, was a simple bronze key.

It looked ancient—impossibly, incomprehensibly ancient. The tal had gone green with age, patina coating its surface in patterns that suggested millennia of existence. Symbols were carved into its shaft and bow, intricate designs that seed to shift and change as I looked at them, rearranging themselves into new configurations that my mind couldn’t quite hold.

"A key," I said flatly, disappointnt and confusion warring in my voice. "I spent one thousand SP on a fucking key."

Apollo’s laughter bood through my consciousness, resonant with divine amusent. "Oh, Satori. So quick to judge. So eager to be disappointed." His voice carried warmth now, genuine pleasure at my reaction. "This isn’t just any key."

The key floated closer, drifting through the air with purposeful grace until it hovered just within arm’s reach. As it approached, information appeared in my vision, golden text materializing to explain what I’d purchased:

[THE OLYMPIAN SKELETON KEY - MYTHICAL TIER]

Origin: Forged in the divine foundries of Hephaestus, using bronze mixed with tears of the Fates and cooled in the waters of the River Styx.

Effect: This key can unlock any door—physical or taphysical—once per week. Gates between dinsions, sealed archives, locked minds, barred possibilities. If it has a threshold, this key can open it.

Warning: The key retains mory of all doors it has ever opened. So doors are ant to stay closed. So doors open both ways.

"Any door," I murmured, my mind racing through possibilities that multiplied faster than I could count. "Physical or taphysical."

I could unlock Gates without clearing them—step into dinsional rifts without fighting through the gauntlet of monsters. I could access restricted VHC archives, bypassing security systems that had kept my father’s files buried for years. I could open paths to other dinsions, other realities, places where the rules might be different and the gods might have less power.

I could unlock the door to my father’s past.

My hand reached out, moving almost without conscious direction, and the key settled into my palm. It felt warm against my skin, almost alive, the tal pulsing with a rhythm that matched my heartbeat. The symbols continued their slow dance across its surface, and I could have sworn I felt them reading , learning , adding my essence to their ancient archive.

"Use it wisely," Apollo said, his voice suddenly serious, stripped of its usual theatrical bombast. "So doors lead to treasure—to power and knowledge and opportunities beyond imagination. Others lead to oblivion. The key doesn’t judge. It doesn’t protect. It simply opens."

"Why give this?" I asked, closing my fingers around the cool bronze. "Why not a weapon? A combat ability? Sothing that would make the ’show’ more exciting?"

"Because you’re asking the wrong questions, Satori. You’ve been asking the wrong questions from the beginning." His presence seed to recede, voice growing distant. "You’re looking for answers, not power. And answers can be far more dangerous than any blade ever forged."

The golden light vanished as suddenly as it had appeared, leaving alone in the dimly lit hospital room. The dical equipnt settled back into its normal rhythms, alarms silencing one by one. The sunset had deepened while we spoke, painting the windows in shades of crimson and purple that looked disturbingly like blood and bruises.

I lay back against the pillows, my mind whirling with possibilities and dangers. The key rested in my palm, heavier than bronze had any right to be, carrying the weight of doors not yet opened and secrets not yet discovered.

It could be my salvation or my undoing. It could lead to the truth about my father, about the System, about Apollo’s true intentions and the aning of Nel’s cryptic words. It could show how to kill the Author.

Or it could lead straight into a trap.

"Nel," I said quietly, staring at the ceiling. "What did you an about killing the Author?"

Silence. The heart monitor beeped. The ventilation humd. Sowhere in the distance, a door closed.

"Nel?"

Nothing. She was gone, or at least pretending to be—withdrawn into whatever digital aether housed her consciousness when she didn’t want to answer uncomfortable questions.

I stared at the key in my hand, watching the symbols shift and reform in patterns that almost looked like words. Almost looked like warnings. A door had just been presented to , offering answers to questions I hadn’t even formulated yet.

And all I had to do was decide which door to open first.

The monitor beside my bed beeped steadily, counting down seconds that suddenly felt precious. Outside the window, the last light of day faded from the sky, leaving New Vein City awash in artificial illumination. The spires of the city core glittered against the darkening heavens, monunts to human ambition rising from the ashes of the Rupture.

"Killing the Author," I murmured to myself, turning the key over in my fingers, feeling the ancient tal warm further against my skin. "Is that what this is all about? Am I the weapon they’re forging, or the sacrifice they’re preparing? The protagonist of this story, or just another character in soone else’s narrative?"

The key offered no answers, only possibilities. Doors leading in every direction, so to power and so to destruction, each one waiting to be opened. As I closed my fingers around it, feeling its pulse synchronize with mine, I realized that was exactly the point.

The gods had given a key.

But they hadn’t told which door mattered.

Sotis the most dangerous thing isn’t the monster waiting behind the door—the eldritch horror or ancient evil or divine trap lurking in the darkness beyond the threshold.

It’s the key that lets you open it.

And the certainty that once you do, you can never close it again.

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