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Now reading: Chapter 1356 - 747: Low Attack, High Insult from Naming Technique of the Night, a Sci-fi novel by The Speaking Pork Trotter.

In the past, everyone always thought that the artists of the Chen Clan, who talked about art and elegance at every turn, were rather pretentious.

But today, the soldiers of the Chen Corporation’s army finally experienced how terrifying a Chen Clan artist could be when he abandoned principles, limits, and artistic cultivation.

If they could et Da Yu in person, they would probably kneel on the ground and beg him to pick up his principles and limits again...

What kind of Exorcist King Kong is he if he doesn’t hold the Demon-Subduing Pestle?!

Ah?!

After encountering these artworks, the Chen Corporation’s army began to show signs of collapse within just a few minutes.

Unlike normal battles.

In a normal battle, everyone has to calculate the number of ammunition, aning even if your firepower is fierce, your ammunition will eventually run out, right?

Once your ammunition is exhausted, you’re finished!

But these artworks are different. Uncle Li Dong, after finishing the Gatling ammo, swung each Gatling like a club, waving them with great force.

The Exorcist King Kong was even more outrageous; just as the soldiers waited for him to run out of ammo, he swung five steel automatic rifles, knocking Chen’s soldiers off their feet.

This field brigade originally intended to invade the Fire Pit directly, but before even leaving the Taboo Land 008, it was already crippled!

At this mont, a sowhat frantic Chen Clan artist was hoarsely reporting to Chen Yu on the phone: "Boss, it’s too defying common sense. So far, the opponent has already brought out seventy-two A-Class Artworks!"

In the A-Class floating airship, Chen Yu finally stopped his painting and frowned, "Are you sure it’s seventy-two?"

"Yes, all the Chen Corporation soldiers around can testify!" said the Chen Clan artist.

Chen Yu fell into deep thought.

His thought process was similar to that of the artist; by calculating the ti, Chen Yu couldn’t possibly produce so many artworks in one go.

Because Chen Yu didn’t have that much ti and effort.

Chen Yu analyzed, "First of all, I don’t believe he has the ability to paint that quickly, even I couldn’t. Secondly, the fact that he uses artworks so generously suggests he has plenty more, definitely not just seventy-two. He’s not so rash young hothead who would sacrifice everything for an unrelated organization like the Fire Pit."

Therefore, this Demigod Chen Yu was very certain that the little brat from Chen Ningzhi’s family must have found so thod to continuously replicate artworks.

Only this could explain why Chen Yu fought the battle so extravagantly.

Moreover, the key is that Chen Yu’s artworks were not released all at once, but continuously.

Each new artwork appeared with more than an hour interval.

Is it the effect of so taboo?

However, despite Chen Yu thinking for a long ti, he couldn’t figure out how the opponent had done it.

This is not really Chen Yu’s fault, since the Federation hasn’t even a clue about the existence of the Death Shroud as a taboo, nor what strange reactions might occur when certain North Arican taboos are suddenly plundered to the Federation’s side.

So taboos ignored in North Arica worked wonders in the hands of Qing Chen and Da Yu.

This Death Shroud was definitely a divine artifact inherited by the Chen Clan artist; no taboo could achieve such an effect.

Chen Yu suddenly developed a keen interest in Da Yu’s strange thods: if Chen Yu could use them, so could he.

If his demigod-level artworks could be used so lavishly, how many would still be a match for Chen Yu in this world?

Probably Uncle Li wouldn’t be a match for him either, right?

Thinking of this, Chen Yu ordered the Chen Clan artist, "Hold the position, I’ll imdiately send the main force from the rear to provide support, and I’ll personally intervene."

After saying this, he hesitated several tis before pulling out a painting scroll from his desk and crushing it.

Then, a Mahasri materialized; this Mahasri, also known as the Goddess of Fortune, is one of Buddhism’s three great guardians.

Chen Yu controlled her to fly out of the floating airship straight to the battlefield!

To kill Qing Chen and others, he had already used two artworks; this was a significant loss. Without any gains, it would an a waste of four months of his ti.

How precious is the ti of a Demigod? The key is that Chen Yu had few artworks left, with each one used reducing the total count.

Now, he only had one spare artwork left!

...

...

On the battlefield, six Uncle Li Dongs were swinging their Gatlings buzzing, charging into the crowd with the Exorcist King Kong and Goddess, reaping through Chen’s Army.

To be honest, every Chen soldier now had a psychological shadow upon seeing Uncle Li Dong.

Moreover, this ti Da Yu was clever. He dispersed the divine and Buddhist figures in the artworks into individual combat units, each highly mobile, making it difficult for the Chen soldiers to aim at them.

The number of the field brigade shrank from the full complent of 4,500 to 3,500, then to 2,000, and finally down to more than 800...

The speed of battle attrition was so fast that the remaining soldiers were already ntally breaking down, unable to organize an effective combat force.

However, just as Da Yu was about to pursue, Mahasri descended from the sky, draped in colorful silks and wearing a golden crown.

With just a gentle palm print on an Exorcist King Kong, she turned it into a floating shadow!

A Goddess swept through with a flathrower, but the Mahasri suddenly vanished.

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