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Now reading: Chapter 84: It wasn’t on the script! from Tycoon Actor in Hollywood, a Fantasy novel by NewComer714.

As "Inception" gradually neared its climax, tension crackled on the set. Lucas, embodying the charming Arthur, sat opposite Ellen Page's role as Ariadne. Director Nolan's voice cut through the silence, signalling the start of the take.

Ariadne, her gaze flitting between Leonardo DiCaprio's brooding Cobb and Cillian Murphy's tense Fischer, asked, "What's happening?"

Arthur, leaning in, explained, "Cobb's drawing Fischer's attention to the strangeness of the dream. That's making his subconscious look for the drear. And for ..." His voice trailed off, his eyes gleaming with mischief.

Suddenly, as the extras around them shifted, their heads turning in unison towards them, Arthur did the unexpected. He leaned closer to Ariadne, his voice dropping to a playful whisper, "Look, let's kiss."

Ellen, startled by the unscripted action, instinctively recoiled, her character's surprise mirroring her own.

Lucas, fully imrsed in the character, delivered the line with an audacity that startled not only Ellen but the entire crew. Even Nolan, known for his composure, raised an eyebrow in surprise.

Then, the cara captured the mont in all its raw intensity. Arthur, undeterred by Ariadne's initial shock, closed the gap between them, his lips eting hers in a fleeting kiss. The crew, their eyes wide with surprise, watched the scene unfold. Even Ellen, montarily thrown off balance, couldn't help but think, "It wasn't in the script!"

As the director called "Cut!", the actors snapped back to reality. The crew, however, remained buzzing with a mix of surprise and amusent, their gazes lingering on Lucas. Even Nolan, usually stoic, couldn't hide a smirk as he looked the young actor.

Ellen, still processing the scene, with raised brows, lightly scolded Lucas, "What was that? Feeling a little carried away?"

Lucas, unfazed, chuckled. "Just staying in character, Ellen. Rember, I had to distract the NPCs."

Ellen furrowed her brow, "NPCs?"

Lucas, sensing her confusion, explained, "Non-Player Characters. The extras in the dream. I thought a sudden kiss might be unexpected enough to throw them off balance."

Ellen pondered for a mont, her initial surprise and frustration giving way to curiosity. "NPCs, huh? Interesting. So, you decided to go off-script?"

Lucas nodded, a hint of pride in his eyes. "It was a gamble, but I felt it fit in the mont. Plus, it's not totally out of character for Arthur to be unpredictable."

anwhile, Nolan had gathered Leonardo and Cillian to review the scene on the monitor. Their expressions mirrored the mix of surprise and intrigue that hung heavy in the air.

As Lucas and Ellen finished their conversation, they approached the huddle where Director Nolan, Leonardo DiCaprio, and Cillian Murphy were intently reviewing a scene on the monitor. As the newcors arrived, all eyes shifted their gaze.

"Here cos the player," Leonardo remarked with a playful hint in his voice. "I initially pictured him as a naive newcor, but it seems I underestimated his resourcefulness."

Cillian chuckled, his amusent clear.

Nolan, his gaze fixed on the screen, offered a thoughtful smile. "Lucas, you certainly took a bold step with that improvisation, but I have to admit, it worked brilliantly. The kiss didn't feel out of place in the scene, it actually heightened the tension and captured the attention we needed."

Cillian, leaning in with a mischievous glint in his eyes, added, "Or perhaps, Lucas simply has a quick mind that thrives on seizing unexpected opportunities."

His comnt sparked laughter from the others, their gazes shifting to the slightly sheepish Lucas and Ellen.

As the scene replayed on the monitor and the casts teased the two, a subtle exchange passed between Lucas and Ellen. A fleeting glance, a hint of amusent in his eyes, and a touch of annoyance in hers – a silent dialogue suggesting "this was your doing."

Lucas chuckled, the tension easing slightly. Just then, Tom Hardy sauntered over, his gaze drawn to the replay. His expression mirrored the surprise of others, but a playful tease soon replaced it, causing Ellen to blush and excuse herself with a flustered laugh.

The mont, while seemingly lighthearted, held deeper aning. For the crew and cast, accustod to the serious demands of filmmaking, it was a rare opportunity for carefree fun. The teasing of Lucas and Ellen, two young newcors, offered a welco break from the intensity of their work.

Director Nolan, focused on his work, viewed the kissing scene with keen interest. He saw the potential it held, the way it disrupted the scene's flow and heightened the tension in an unexpected yet effective manner. Comnding Lucas for his bold improvisation, Nolan opened the door for further discussion about its inclusion in the final cut.

---

As ti marched on, Lucas Knight, alongside his other fellow cast mbers and director Christopher Nolan, geared up for the next stage of "Inception's" production – filming the iconic rotating hallway and room scenes in London. These sequences would be pivotal, with Lucas, as Arthur, taking center stage.

To ensure a seamless execution, Lucas engaged in extensive discussions with Nolan, dissecting the nuances of the character and the complexities of the scenes. Rehearsals with the other actors beca a collaborative playground, where they honed their movents and interactions to create a cohesive visual spectacle.

Amidst the London preparations, a surprise arrived – a call from director Danny Boyle. He inford Lucas that "127 Hours," his debut film, was nearing its limited release in April, igniting a spark of excitent within the young actor. This was his first foray into the cinematic world, and seeing it about reach audiences beyond the initial festival screenings was a significant milestone.

However, a tinge of worry crept in. Would he be able to attend screenings, interviews, and other events alongside Boyle and the cast?

Additionally to the complexity, Lucas's schedule remained tight, and he had been summoned for additional filming on "Modern Family" in early April before going to London. Balancing his commitnts to both projects would require careful coordination.

The juggling act began, requiring careful coordination between the different projects to ensure he could fulfill his obligations effectively.

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