Villain's Breeding System: Evolving 999+ Harem into an SSS-Rank Legion Chapter 179 - Nara’s Manipulation Begins

"’AAHNGH~♡♡—NNH~♡—wait — wait — I’m COMING—HIEEEKKK~~!’"

His teeth at her shoulder.

The bite.

Her body went rigid.

The specific, total architecture of a woman at the exact mont of peak — spine straight, head back, legs locked, every voluntary system suspended while the involuntary ones ran their full cycle.

And then: the squirt.

Not a trickle. The specific, forceful release of soone whose body had been pushed past every threshold simultaneously — the warmth of it, the volu of it, the sound of it hitting the grass below them, the specific evidence of exactly what had just happened laid out plainly in the moonlight.

"’HMMFGH~♡♡♡—’"

His grip at her breast tightened.

The sound she made when the grip tightened was the sound of sothing giving way.

He ca.

Celia felt the sound of it sowhere in her sternum. The specific, low, exhaled sound he made was not loud and it carried anyway — the specific frequency of sothing that had been building since the shelter and had arrived.

The warmth of it filling her.

Nara went limp.

Not gradually. The imdiate limpness of a body that has finished everything it had and is no longer able to hold the form. Her weight collapsing against his arm, her head dropping, her legs hanging.

He held her.

One arm. The easy, terrible ease of it.

He looked down at her face.

Then looked up.

His purple eyes in the moonlight finding the edge of the boulder with the specific, unhurried quality of a person who has known exactly where the observers were for the last seven minutes.

Celia did not move.

He didn’t say anything.

He lifted Nara in the princess carry.

Walked back toward the shelter.

Celia and Preet moved. Fast. Back through the shelter entrance. Back to their places. The specific, silent, rapid repositioning of two people who had been watching sothing and needed to not be visibly watching it.

Celia was on her side. Facing the wall. Eyes closed.

Her heart was going at a speed that had no relationship to the physical activity she’d perford in the last ten minutes.

His footsteps.

Nara’s small, gasping sound as he set her down.

Then his voice. Quiet. Aid at no one in particular, addressed to the shelter at large:

"’She made sll like her piss. I need to wash.’"

Nara’s voice, from the mat: "’I’m sorry.’" The word shaped like an exhale. "’I’m sorry, I’m sorry—’"

"’Don’t apologize,’" he said.

A pause.

Then: "’Which of these won,’" he said, with the specific, conversational quality of soone making an observation rather than asking a question, "’do you think has the best body?’"

The shelter was perfectly silent.

Every person in it perfectly asleep.

Nara made a sound. Not words — the specific, drowsy, satisfied sound of soone who has been completely spent and is sinking into sothing soft.

Then: "’Preet,’" she said. The word barely held its shape. "’Brown nipples. Thick. Made to be—’"

The silence.

In the darkness of the shelter, Preet, who was lying on her mat three feet from Celia, made a sound.

Very small.

The specific, involuntary sound of a body that had been sitting in a sustained, elevated state for eleven minutes and had just received one additional piece of stimulus and had not been able to contain the consequence.

The wet warmth inside her own underwear.

Her mouth pressed tight.

"’—to be fucked,’" Nara finished.

His voice, amused: "’Then I’ll take her back tonight on the return path. She’s good at that, isn’t she? Leading.’"

Nara: "’Yeah. She gives good back.’"

A pause.

"’Good,’" he said.

His footsteps. Moving toward the shelter entrance, moving away, the sound of him going toward the water.

Gone.

The shelter.

The fire, lower now, its light through the woven walls painting orange strips across the floor.

Preet was not moving.

Celia was not moving.

Then the sound of Nara sitting up. The specific, deliberate quality of soone choosing to be upright. The mat creaking under her.

Silence.

"’So,’" Nara said.

Her voice had changed. Not the breathless post-coital voice. Sothing else — cleaner, more structured, the specific quality of a voice that has recovered faster than anyone expected and was now operating from a different mode.

"’You all heard .’"

Not a question.

Celia’s eyes were open.

"’And you watched.’"

From around the shelter: the specific, communal silence of six won who had all been performing sleep and had all just been told to stop.

Aisha was the first to sit up. Then Gia. Then ijin, with the specific, deliberate quality of soone whose dignity required a mont of transition.

Celia sat up.

Preet did not sit up imdiately. Her hand was pressed flat against the mat, palm down, with the specific, load-bearing intent of soone using a surface to manage themselves.

Nara looked at them.

The moonlight coming through the gap in the shelter entrance behind her — the specific, low angle of it catching her from below, the light finding the underside of her jaw, the shadow going upward across her face in the way that light going upward across a face changed the geotry of it.

She looked like sothing that had co through sothing and was still here.

She looked at each of them.

"’Co on,’" she said. "’Breathe.’"

The word delivered with the specific, flat energy of soone who has decided that managent is now required and has appointed themselves.

"’We have to leave this island alive.’"

Her knees hugged to her chest. The specific posture of soone who is choosing to make themselves look smaller than the room they’re taking up, which was the opposite of what Nara actually was in this mont.

"’You know what that ans.’"

Preet sat up.

Slowly.

Her face in the moonlight was — not afraid, exactly. The specific, prior-to-afraid look of soone standing at the edge of a decision with all the relevant information in front of them.

Her eyes were wet.

"’Please,’" she said. The word small. Specific. The word of soone who had been strong all day and had run out of the thing that strong required. "’I — I can’t.’"

Her voice broke on the last word.

Not dramatically.

Just — the specific, human quality of soone telling the truth about the limit of what they had.

Nara looked at her.

The firelight. The shelter. The six of them in the dark with the island outside and the ocean around it and the man sowhere at the waterline washing the evidence of the last hour off his thighs.

Nara’s expression in the low light was the expression of soone who understood exactly what Preet had just said and was deciding what to do with the understanding.

She said nothing for three seconds.

Then:

"’I know,’" she said.

The word landed differently than Celia expected.

Not hard. Not the sharp, transactional Nara she’d known for two years. Sothing else in it — the specific, reluctant gentleness of a person who has been in the place the other person is standing and cannot pretend they haven’t.

"’I know,’" she said again. "’But.’"

The fire.

The island outside.

Preet’s tear, catching the light as it went.

"We just have to bear it with for few more hours..."