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GodofPleasure
*****
Kung Fu Panda
The afternoon sun began to dip behind the manicured palms of Tremblin Drive, casting long, amber shadows across the white stone of the yers estate. Marvin pushed through the heavy front doors, his backpack slung over one shoulder with the effortless cool of a boy who had just conquered his first kingdom.
"Mom, your lovely son is back! Did you miss ?" Marvin's voice rang through the foyer, clear and vibrant.
He stepped into the dining room, expecting the usual quiet hum of the afternoon. Instead, he found a scene of uncharacteristic gravity. His mother, Linda, and his father, Grant—who should have still been at the J.P. Morgan tower downtown—were sitting side-by-side at the mahogany table. Their expressions were unreadable, a stiff mask of parental authority that didn't quite reach their eyes.
"What happened? Is the stock market crashing?" Marvin joked, though he flicked a quick, questioning glance toward Mrs. Aranda.
The housekeeper, standing by the sideboard, didn't speak. She simply caught Marvin's eye and mouthed two words: Random House.
Marvin's internal self gave a satisfied thrum.
So, the bait has been taken. He instantly relaxed, leaning against the doorfra. He noticed the telltale signs now—the way his father's foot was tapping with suppressed excitent, and the faint, proud shimr in his mother's gaze.
"Ahem. Marvin," Linda started, trying to keep her voice stern. "Sit down. Tell , what exactly have you been doing behind our backs lately?"
"Hey Mom, are you trying to induce to confess?" Marvin feigned a look of wounded innocence. "Is this an interrogation?"
"That depends on whether you've made a mistake!"
"Of course not. I attend classes diligently, I don't bully the bullies too much, I complete my howork, and in my spare ti, I read, I write, I draw—"
"Wait, write and draw?" Grant interrupted, leaning forward. He cleared his throat, trying to regain his 'Executive' persona. "So, besides the drawing, have you, um, done anything else? Like, say... visiting a post office?"
"Well," Marvin smiled, his eyes twinkling. "I sent a story that I thought was pretty good to a few publishers. Call it a little wishful thinking, but I thought the world could use a bit more magic. Specifically, I sent a package to..."
"Like this?" Grant pulled a thick, crisp envelope from his leather briefcase. The Random House logo—the iconic little house—was embossed on the corner. He waved it like a trophy. "This arrived by courier an hour ago. Addressed to 'Mr. Marvin yers.'"
"Wow, they actually replied?" Marvin feigned a gasp of pure, childlike excitent, jumping slightly in his seat.
"Look, I haven't even opened it yet," Grant said, though his hands were shaking slightly. "I hope it's not a rejection letter. They can be brutal to young writers."
Smack!
Linda slapped Grant's arm with a sharp glare. "Don't say that! Our son is a genius."
Grant winced, instantly zipping his lips with a playful "I'll shut up" motion.
Marvin took the envelope with steady hands, tearing it open. He read the letter aloud, his voice gaining strength with every word:
"Dear Mr. Marvin yers: This is Benjamin Georgia, Publishing Editor at Random House… We were utterly chard by your children's story, Kung Fu Panda. The voice is fresh, the world-building is cinematic, and the comrcial potential is staggering… We would like to visit your ho on September 25th to discuss the acquisition of the rights and publication matters…"
---
Later that night, the grand yers manor settled into its familiar, comfortable quiet. The kind of quiet that only old money could buy — thick walls, heavy drapes, and floors that didn't creak unless they wanted to. The master suite was bathed in the soft, amber glow of the silk-shaded lamps on either side of the bed, their light warm and honeyed against the dark paneled walls. Outside, the moon had climbed high and pale above the gardens, casting long silver ribbons across the Persian rug.
Grant yers lay propped against a mountain of goose-down pillows, still dressed in his undershirt and slacks, his reading glasses perched at the end of his nose. In his hands — and this was the remarkable thing, the thing that would have made any of his colleagues at the bank do a double-take — was not a quarterly report or a rger prospectus. It was a comic book. Marvin's comic book. The one with the bold, confident title scrawled across the cover in a hand that was too assured, too deliberate, for a boy of ten.
*Invincible.*
Grant read it the way he read everything that mattered — slowly, with absolute focus, going back over panels the way he went back over clauses in a contract. His brow was furrowed. His jaw was set. Every few pages, he made a quiet sound — not quite a word, more of a low hum of reluctant, deepening astonishnt.
The bedroom door opened softly. Linda slipped in, her dark hair loose around her shoulders, wearing a pale lace nightgown that whispered against the floor as she moved. She'd just co from Marvin's room, and there was still a residual softness around her eyes from kissing him goodnight — that particular tenderness that only a mother carries back from her sleeping child's bedside.
She paused at the foot of the bed, watching her husband. He hadn't even looked up.
She smiled to herself and slipped in beside him, pulling the heavy silk sheet up and settling against the pillows. For a long mont she simply watched his face — the small movents of his expression as he turned each page. The slight widening of his eyes. The almost imperceptible shake of his head.
Finally, Grant reached the last page. He closed it carefully, the way you close sothing you intend to return to, and set it on the nightstand with a kind of reverence that he usually reserved for first-edition contracts.
He took off his glasses and pinched the bridge of his nose.
"Our son," he said at last, his voice low and weighted with sothing that hadn't quite found its full shape yet, "truly seems to have been born a genius."
Linda turned to look at him. "Of course he is."
The words ca out quietly, but with the absolute certainty of soone who had known a thing for a long ti and was simply waiting for the rest of the world to catch up.
"I don't say that the way parents say it," Grant continued, turning to face her. "I say it the way I'd say it in a boardroom. Clinically. Objectively." He gestured toward the comic. "Linda, that boy has constructed a mythology. An entire moral frawork for a superhero universe — at ten years old. The internal logic is consistent. The character contradictions are *intentional*. He knows what he's doing."
"I know," Linda said softly. She tucked one leg beneath her and turned toward him more fully. "Grant, I was in his room tonight. I kissed him goodnight and I looked around — really looked — and I had to stop myself from just... standing there with my hand over my mouth." She shook her head slowly. "The boxes, Grant. All those labeled boxes. The filing system. The cross-references between the scripts and the treatnts. He has a *system*. A ten-year-old boy has developed an organizational system for his creative output that most professional writers don't have at forty."
Grant let out a breath that was almost a laugh, but not quite — too awed for humor. "We spent the whole afternoon reading, and I still don't think it's landed for entirely. The Kung Fu Panda script alone—"
"The pacing," Linda said imdiately.
"The pacing," Grant agreed, pointing at her. "Exactly. It's not just the concept — any bright kid can have a concept. It's the *pacing*. The way he knows when to slow down and when to accelerate. Where to breathe and where to push." He leaned his head back against the pillows, staring at the ceiling. "And the dialogue. Linda, grown n — n I've hired, n who've been to the best schools money can provide — cannot write dialogue like that."
"He told you. He just listens to people." She smiled, but there was sothing more serious moving beneath it.
"Children listen to people," Grant said. "They don't *synthesize* what they hear into emotionally truthful dramatic writing. That's not listening, that's craft. That's instinct *and* craft, which is the rarest combination there is." He was quiet for a mont. "My father built this family's na in finance. I've spent twenty years building on what he built. And our son — our ten-year-old son, who still leaves his football cleats on the kitchen stairs — is sitting in a bedroom two floors above us quietly building sothing that could eclipse all of it."
Linda reached out and put her hand over his. "It already might."
The room held that for a mont. The clock on the mantle ticked. Sowhere outside, a night bird called once and went silent.
"That's exactly what frightens ," Grant said, turning his hand over to hold hers. "Not the talent. The talent is a gift — we celebrate the talent. What frightens is the world he's about to walk into." His expression shifted, the proud father receding slightly, the executive stepping forward with his asured, deliberate clarity. "The entertainnt industry, Linda. You know it better than I do. You've been adjacent to it your whole career."
Linda's expression grew thoughtful. "I know exactly what it is."
"Then you know that it is not a ritocracy," Grant said. "Talent, on its own, is not protection. Talent, in that world, can actually make you *more* vulnerable if you don't have the right people around you." He sat up slightly, the way he did when his mind shifted into planning mode. "He's ten. He could have a Random House contract before he's eleven. Which ans rights negotiations, royalty structures, subsidiary licensing, adaptation clauses—"
"Grant—"
"I'm not being dramatic. I'm being practical. Practical is how we protect him." He looked at her steadily. "We need people. Not us — *professionals*. The right professionals."
Linda nodded slowly, her thumb tracing a small circle on the back of his hand. "A lawyer."
"Not just any lawyer. A shark. An entertainnt lawyer who has seen every trick in that industry and has written most of them himself — one who works for *us*, whose loyalty is entirely and exclusively to the yers family." Grant's eyes were sharp now, the moonlight catching the edge of his focus. "Soone who reads every contract before Marvin even knows it exists. Soone who catches the things we wouldn't know to look for."
"And soone to manage the correspondence," Linda added. "A secretary — or more than a secretary. Soone intelligent and organized who can be a buffer between Marvin and all of it. The etings, the calls, the couriers showing up on a school morning." She thought of the boy she'd just kissed goodnight — the soft warmth of his hair, the way he'd looked up at her with those eyes that were sohow both entirely childlike and entirely ageless. "He should be able to *create*. That should be the only thing on his mind. Not contracts, not correspondence, not managing relationships with publishers."
"Precisely," Grant said. "He creates. The staff manages. We oversee." A quiet certainty settled into his voice. "There's an old principle in this family — my grandfather said it first, and I've found it holds in every arena. Professional work belongs to professionals. Our job is to choose the right professionals and then keep our eyes open." He paused. "We keep our eyes wide open."
"He is never going in a room alone," Linda said. The softness in her voice had taken on a quiet, steely undertone. "Not with a producer, not with a publisher, not with any representative of any studio or label or network. Not without soone whose salary we sign."
"Agreed. Unambiguously, irrevocably agreed." Grant looked at her. "I'll make calls Monday. I know people who know the right people in entertainnt law. I want three nas on my desk by Wednesday and interviews by the end of the month."
"And the secretary?"
"I'll reach out to the agency we use for the bank. Discretion is non-negotiable — anyone who cos into contact with Marvin's work signs an NDA before they see a single page." He glanced toward the nightstand, toward the comic book resting there in the warm lamplight. "That work is extraordinary, Linda. It deserves to be protected like it's extraordinary."
Linda followed his gaze. For a mont they were both simply quiet, looking at the small, unassuming comic book that their son had made — that their *child* had made, with his hands and his mind and whatever strange, blazing, inexhaustible thing lived inside him.
"He looked at tonight," Linda said softly, "when I said goodnight. Just looked at . And I thought — I thought, who *are* you? Where did you co from?" Her voice was full of wonder, and sothing that sat just on the other side of it. "He's ours, and I love him more than anything in this world, and I still sotis feel like I'm in the presence of soone I haven't fully t yet."
Grant put his arm around her, drawing her close. "We'll spend the rest of our lives eting him," he said. "That's the privilege of it."
She leaned into him, her head against his shoulder, and for a long ti neither of them spoke. The night settled around the manor like a held breath. The lamps flickered once, gently, and the moonlight slowly shifted its long silver angle across the rug.
Linda's hand tracing the line of Grant's jaw. "My little author... the world isn't ready for him."
"The world isn't ready for any of us," Grant whispered, his voice dropping an octave as he looked at his beautiful wife. The conversation about business began to lt into the heat of the quiet room. The pride they felt for their son had sparked a vibrant, shared energy between them—a celebration of their life, their wealth, and the perfect legacy they had created.
Their son slept two floors above them, surrounded by his labeled boxes and his stacked manuscripts and his quietly world-altering imagination. And below, his parents held each other in the dark, full of pride and plans and a love that had made sothing neither of them had quite expected — sothing that was already, at ten years old, larger than both of them.
Grant reached out, pulling Linda closer, the heavy silk sheets rustling as the worries of the industry faded into the background. As the moonlight shifted across the floor and the bedroom door remained locked against the world, the scene began to soften, the shadows lengthening and the air growing heavy with intimacy, until the silver light finally faded entirely into a warm, velvet black.
Grant pulled Linda tighter against him, his arm sliding from her shoulder down the elegant curve of her back until his palm settled possessively over the small of her waist. The silk of her nightgown was cool against his fingers, but her skin beneath radiated heat.
"You keep calling him 'little author,'" Grant murmured, lips brushing the shell of her ear, "but the only thing little in this house tonight is how much longer I can keep my hands polite."
Linda let out a soft, throaty laugh that vibrated against his chest. She tilted her head back so her throat was exposed to him, an invitation she knew he would never refuse. "Polite?" she teased, voice already huskier. "Since when have you ever been polite with , Mr. Hale?"
His answer was to drag his open mouth along the column of her neck—slow, deliberate, teeth grazing just enough to make her breath hitch. One hand slipped lower, cupping the swell of her ass through the thin silk and squeezing hard enough that she arched into him with a small, greedy sound.
"Since our son started writing sentences longer than ours," he said against her skin. "Figured I should practice restraint."
"Liar." Her fingers threaded into his hair, tugging just sharply enough to tilt his face up to hers. Their mouths t—
---
September 25th.
The morning marine layer had long since burned off, leaving the sky over San Marino a brilliant, expensive shade of cerulean. On Tremblin Drive, the silence was broken only by the hum of a precision-engineered engine.
A black Cadillac sedan, polished to a mirror finish, glided to a halt against the curb. The doors opened with a solid, heavy thud.
Benjamin Georgia stepped out, adjusting the cuffs of his light gray business suit. He looked every bit the Manhattan intellectual—thin, energetic, with eyes that had spent twenty years scanning manuscripts for the "next big thing." Behind him, Miss Sheena, his lead assistant, smoothed out her charcoal pencil skirt and clutched a leather portfolio to her chest.
Benjamin shielded his eyes, looking up at the towering iron gates of Number 222.
"222 Tremblin Street," he muttered, checking the brass numbers. "Upscale doesn't quite cover it, Sheena. This is a fortress of old money. Are you certain this is the address for our author, Marvin yers?"
"Verified it three tis with the return address on the parcel, Benjamin," Sheena said, her heels clicking on the pavent as she joined him. She looked at the sprawling stone villa beyond the gate. "A house like this… the owner must be a seasoned academic or a retired diplomat. It explains the Kung Fu Panda manuscript. Only soone with a massive private library and decades of travel could capture that ancient Chinese aesthetic so vividly. The descriptions of the 'Valley of Peace' weren't just fantasy; they felt like a history lesson wrapped in a fable."
"Exactly," Benjamin agreed, straightening his silk tie. "The martial arts terminology alone—the flow of Qi, the specific paw-styles—it suggests a lifeti of research. I'm expecting a silver-haired gentleman in a silk smoking jacket."
So colleagues pointed out how the architecture closely resembled real historical dynasties, while others noticed the accuracy in the clothing and traditional attire. A few martial arts enthusiasts even comnted that the techniques and movents felt grounded, almost as if they were drawn from real schools rather than pure imagination.
Even the food descriptions caught attention, with dishes reflecting authentic regional styles instead of generic fantasy als.
All of it made one thing clear—
The author either had deep knowledge of Chinese culture… or had done an incredible amount of research.
The two talked as they arrived at the villa's front gate, He pressed the intercom button on the gatepost.
"Hello, this is the yers residence," a friendly female voice crackled through. "May I ask who is calling?"
"Hello, we are from Random House Publishing in New York. We have an appointnt with Mr. Marvin yers."
There was a sudden, sharp silence on the other end. Then, a muffled gasp, the sound of footsteps sprinting away from the receiver, and a distant, faint shout of: "He's here! The book man is actually here!"
Benjamin and Sheena exchanged a bewildered look. Benjamin spread his hands. "Excitable staff?"
A mont later, the voice returned, breathless. "Please, co in! The Master and Mistress are waiting for you at the front door."
As the electric gates hissed open, the duo began the long walk up the driveway. To their left and right, the garden was a masterclass in landscape architecture. Tall, ancient palms acted as natural pillars, while firethorn and golden-edged juniper created a lush, private sanctuary. Sumr azaleas in shades of rose-red and royal purple dotted the green like scattered jewels.
In the center of the circular drive, a marble fountain erupted into the air, the water cascading from the mouths of intricately carved koi fish. Behind the shimring mist stood the villa itself—a Baroque masterpiece of white marble and exquisite sculptures.
At the top of the wide stairs stood Grant and Linda yers. They looked every bit the power couple: Grant in a tailored navy blazer that scread Wall Street, and Linda in a sophisticated cream dress that radiated academic elegance.
Grant stepped forward, his hand extended and a booming, hospitable smile on his face.
"Welco! Welco to our ho. I'm Grant yers. We've been looking forward to this eting since we got your call."
Benjamin shook his hand firmly. "It's an honor, Mr. yers. I have to tell you, your work is truly wonderful. Kung Fu Panda is a masterpiece of children's literature. I believe children from New York to Beijing will be reading your words for decades."
Grant froze. A slow, amused chuckle started in his chest and erupted into a full laugh. He looked back at Linda, who was covering her mouth to hide a grin.
"I'm afraid there's a slight misunderstanding, Mr. Georgia," Grant said, his eyes dancing with pride. "I am the Chief Investnt Advisor for JPMorgan Chase. My wife, Linda, is a Professor of Film at USC. Neither of us wrote a single word of that story."
Benjamin's hand went limp. "I... I don't follow."
Grant bead, gesturing toward the interior of the house. "The author of Kung Fu Panda is our son. Marvin yers."
The silence that followed was heavy. Sheena nearly dropped her portfolio. Benjamin's jaw didn't quite drop, but his professional mask cracked. "Your... son? May I ask how old the author is?"
"He turned ten last September," Linda said, stepping forward to shake Benjamin's hand. "He'll be eleven in a few days. Please, co inside. Let's get you so refreshnts while we wait."
They were led into a reception room that felt more like a museum—high ceilings with gold-leaf molding, velvet sofas, and floor-to-ceiling windows overlooking the pool.
Benjamin sat on the edge of a plush armchair, his mind reeling. A ten-year-old? The research... the pacing... the irony... it's impossible.
"What would you two like to drink?" Linda asked, her voice warm. "We have coffee, black tea, or if the shock is too much, Grant keeps so excellent twenty-year-old scotch in the decanter."
"Coffee, please. Black," Benjamin said, needing the caffeine to process reality.
"I'll take the tea, thank you," Sheena added, her pen already hovering over her notepad.
Linda winked at Mrs. Aranda, who appeared minutes later with a silver service tray. She poured a steaming cup of authentic Jamaican Blue Mountain coffee for Benjamin and a delicate Jin Jun i tea for Sheena.
"So," Benjamin said, taking a cautious sip. "An eleven-year-old. Mr. yers, you must realize that if the quality of the writing matches the age of the boy, this is the marketing story of the century. But as an editor, I have to ask... did he have help?"
Grant leaned back, looking at the ceiling. "We asked him the sa thing. My wife checked for plagiarism—she knows every script in Hollywood. I checked his computer history. The boy just... sits down and the world pours out of him. He's been like this since his illness six months ago. It's as if a lightbulb switched on."
"He doesn't just write," Linda added, her voice dropping to a whisper of awe. "He storyboards. He composes. He's currently drawing sothing he calls 'Manga.' He says the Arican market isn't ready for it yet, but he wants to be 'first to file.'"
Just as Benjamin was about to ask about the "Manga," the heavy front door swung open. A youthful, energetic shout echoed through the marble foyer.
"Mom! Dad! Your favorite handso son is back! Did I miss the 'Book n' or am I just in ti for the contract?"
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