"Got it," Joseph Shaw responded with a cool expression.
Father Carter looked at Jillian Carter on the sickbed, uncertain when she would wake up.
He then turned to look at his wife, who couldn’t hide her exhaustion after a long day. Father Carter said to Joseph Shaw, "Running twice a day, your mom’s body can’t take it. We’ll go back to rest first. You stay here and watch over her. Call us imdiately when she wakes up."
After giving the necessary instructions, Father Carter left the hospital with his wife to rest at ho.
In the film crew, Jane Sampson and Jas Carter found out about Jillian Carter’s wrist-slitting suicide attempt, which led to her being rushed to the hospital and still being unconscious, only after dinner and discussing the next day’s script in the director’s room that evening.
Jane Sampson only learned about it because Bright Sampton sent her a WhatsApp ssage.
As for Jas Carter, he only found out after Jane Sampson ntioned it.
The director noticed that sothing was off with their expressions and asked, "What’s going on? Why do you both look like this?"
"Sothing happened at ho. My sister is still lying in the hospital," Jas Carter replied.
The director waved his hand, "Alright, there’s nothing else here. You both go rest."
After sending them away, the director pondered that Jas Carter might have to take a leave tomorrow.
After leaving the director’s room, Jane Sampson, full of concern, asked Jas Carter, "Mr. Carter, are you going back to check on her?"
Because she was in the film crew, Jane Sampson was cautious not to slip up and hadn’t changed how she addressed Jas Carter yet.
However, privately, she would sotis suddenly happily call Jas Carter "Brother" during conversations, and he would smile softly at her. That kind of smile made Jane Sampson want to keep such a brother hidden away several tis.
"I need to go back and take a look," Jas Carter nodded. "If I don’t, I can’t rest easy. I’ll be back tomorrow morning."
"Then Mr. Carter, take it slow on the road, and tell the driver to drive slowly, don’t rush. Your safety is paramount." Jane Sampson was worried that Jas Carter might urge the driver to speed because of his urgency.
Because of this concern, Jane Sampson kept nagging all the way to Jas Carter’s room while he packed his things, and continued nagging all the way to the hotel entrance and after he got into the car, even reminding the driver one last ti.
Her nagging, like an old woman, made Jas Carter’s eyebrows unfold, and he couldn’t help but laugh.
"I know, I won’t let the driver speed, I’ll walk slowly too, can’t rush. I understand, you go back inside." Jas Carter sat in the car, rolled down the window, and reached out to ruffle the bent-over Jane Sampson’s head. "You’re just a little lass, yet you nag like a little old lady."
The driver in the front row couldn’t help but chuckle.
"Mr. Carter, Ms. Sampson is worried about you," said the driver, who was a crew mber, and the car and driver were borrowed from the director, so he respectfully called both of them teachers.
"How dare you call a nag, humph!" Jane Sampson stood up, waved at Jas Carter, "Off you go, off you go."
Then, with a proud turn, she happily ran back to the hotel.
Jas Carter watched her ponytail bobbing away until it disappeared before telling the driver to start driving.
After returning to the room, Jane Sampson imdiately made a WhatsAPP video call to Jas Black.
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