As she entered the door and returned ho, Jane Sampson kicked off her shoes and made a beeline for the bedroom. She had one thing in mind—to save Shirley Young’s phone number, which she had morized while carrying on her back, into her mobile phone. She hadn’t brought her phone with her to morning exercise, so she just now had to rely on her mory to recall it.
Seeing that Jane Sampson had entered the bedroom and didn’t seem to be planning to co out, Jas Black simply sat down on the sofa, where her script from yesterday was still lying.
After a mont’s thought, Jas extended his hand to pick up her script.
All of Jane’s third female role’s parts had already been highlighted in red font. Jas scanned through them swiftly, and when he was close to the end, he paused, his gaze falling on a particular scene.
It was the scene where the second male lead, Harry Humming, secretly kisses Jane Blackwood while she is asleep.
Since the drama was set in a historical period, all of the romance scenes were subdued and restrained, unlike the flamboyant and indulgent romantic entanglents of modern shows.
In the emotional setup of this drama, Jane Blackwood secretly loves the male lead, Windy Lancaster, but Windy has a fiancée, so Jane’s love, from the beginning to her final sacrifice, where she dies to save the male lead, is never expressed.
As soone who likes Jane Blackwood, Harry Humming is the only one who notices her affection for Windy Lancaster. It’s precisely because he notices that Harry continuously hesitates about whether to confess his feelings for her.
Jas continued flipping through to the scene where Jane Blackwood’s character dies, where Harry Humming, holding the deceased Jane, cries out in agony that he likes her.
This was the first instance of emotional expression in the entire drama; from the audience’s point of view, Harry Humming likes Jane Blackwood but hesitates to confess. This hesitation lasts until Jane’s sacrifice.
The words that never made it out, spoken only after Jane had died, would always evoke sighs from the audience.
Jas went through the script again, carefully making sure he hadn’t missed anything, then, holding the script, he headed straight into the bedroom.
Jane Sampson, who hadn’t left the bedroom for so long, was playing with her phone in the room. Listening to her providing her own sound effects—biubiubiu—Jas knew that once again, she was playing a ga.
Upon closer inspection, he discovered that Jane Sampson, with only one hand free, had downloaded a new puzzle ga and was engrossed in it, despite its simplicity.
"What are you doing?" A shadow cast over her head, and without turning around, Jane knew Jas was standing behind her. She paused the ga and turned her head to look at Jas, seeing him holding her script, and she asked, "Did you read it?"
Jane herself had only flipped through it briefly. "As a defender, what do you think of this script?"
"It far surpasses those shows where they bring down a helicopter with just one gun and one bullet," Jas set the script before Jane, tapping with his hand on the scene where Jane Blackwood was kissed after falling asleep, "This behavior is not proper; how could a guard do sothing like stealing a kiss?"
"Huh?" Jane looked at Jas, who had spoken so earnestly, and was montarily stunned. Then, after thinking for a bit, she said, "But Harry Humming wasn’t enlisted at that ti, he was just a playboy from a wealthy businessman’s house, idling away his ti. Harry joined the team only after the character, Jane Blackwood, was sacrificed."
Jas stood there in silence, and after a few seconds later, he spoke again, seriously calling out Jane Sampson’s na.
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