"Ha — yes, yes—"
The laugh ca out deep and full, the particular laugh of a man who laughed the way he did everything else — with complete commitnt, filling whatever room he was in with the sound of it.
"Yes, we shouldn't delay any more. Yes." Another laugh, shorter this ti, the kind that punctuates a sentence rather than constitutes one. "We have a couple of busy days ahead — we should get it all sorted quickly, not waste any more ti on the back and forth."
The voice on the other end said sothing. More laughter followed — warm, layered, the specific register of two powerful n who had just agreed on sothing significant and were now doing the thing powerful n do when they agree on sothing significant, which was to laugh about it in the satisfied way of people who have gotten what they wanted.
"Okay then." A pause. "See you in a few weeks' ti. Perez — later."
The call ended.
Joan Laporta set the phone down on the desk and looked at it for a mont.
Outside his office window — even now, even this far from the ground and this far from the exits — he could still hear it. The city. The mini-festival that had apparently decided the final whistle was not an ending but a beginning, the singing and the movent and the noise of ninety thousand people dispersing into Barcelona's streets and taking the celebration with them. The sound drifted up and in, muffled by the glass but present, a constant background warmth.
He was aware of it. He was also, for the first ti in what felt like a considerable number of weeks, not particularly troubled by anything.
Laporta leaned back in his chair.
The heaviness that had been sitting across his shoulders since the day he returned to this office — since the campaign, the election, the morning he walked back into this building and understood in full, for the first ti, the precise dinsions of what he had walked back into — that heaviness was not gone. He was not naive enough to think it was gone. But it had shifted tonight, redistributed itself sohow, beco sothing he was carrying differently.
He was smiling.
A real one. Not the perford smile of a press conference or the managed smile of a sponsor dinner — a genuine one, sitting on his face without requiring maintenance, the kind that cos when sothing has actually gone right.
It was the second ti since his election victory that he had smiled like this in this office. The first had been the day the paperwork on Mateo King ca through — the confirmation, the signatures, the mont he understood that whatever else was wrong with this club, they had secured sothing that would matter for a decade. A foundation. A future with a face on it.
Tonight was the second ti.
He pressed the intercom beside him.
"Please inform Ferran to co see ." His voice carried the warmth of the smile without announcing it. "In my office. Now."
"Of course, sir." Imdiately. Before the sentence had fully finished.
He released the button.
And then, because there was a mont and he was going to take it, he leaned back fully — properly, the chair taking his weight — and spun himself once, slowly, a small and entirely undignified rotation that lasted approximately three seconds and that nobody was ever going to know about.
He ca to rest facing the window.
Still smiling.
The reason was not just the phone call. The phone call was one part of it — significant, yes, but one thread in a week that had been, by so margin, the best week he had experienced since returning to this presidency.
It had started with Perez.
Days of back and forth — careful conversations, the particular diplomacy required when two n who are competing for influence in the sa ecosystem are also trying to build sothing together — and finally, finally, an agreent. In a few days' ti, the announcent of the European Super League would go out to the world. The news would land like a stone in still water, the ripples spreading in every direction simultaneously, and in that movent — in the noise and the outrage and the comntary and the think-pieces — the journalists who had been circling Barcelona, sniffing at the edges of things Laporta needed kept quiet, would find themselves suddenly occupied with a much larger story.
They would assu the thing he had been concealing was the Super League.
They would be partially right.
And while they were busy with that — while the world's attention was pointed at the announcent and its implications — he would have the room to do so other things. Quieter things. Things that needed to happen without a cara present.
But the Super League had been the setup. What had co after it was the thing.
When he had been in discussions about the Super League's financial architecture with the JP Morgan representative — working through the structures, the projections, the commitnts required — he had floated the idea. Almost casually. Almost as a footnote.
A loan.
The response had been what he expected — professionally phrased, the language of a man who could not say no but had been trained to communicate it in ways that sounded like sothing else. Sothing along the lines of our current exposure in this space is at capacity for the mont — the polished, impenetrable vocabulary of institutional finance declining to engage without technically declining anything.
But the representative had done sothing Laporta had not expected. He had given him a na. A contact. Soone over at Goldman Sachs — another institution, another room, another conversation to have.
Laporta had made the call that sa afternoon.
And then another the next morning. And another. Each conversation moving things forward, each exchange revealing sothing useful — about appetite, about terms, about what was possible and what the tiline looked like.
He had been watching, in the last year, the way Arican investnt and Arican money had been orienting itself toward European football. The attention was becoming impossible to ignore. The Major League Soccer expansion, the dia deals, the quiet acquisitions of club stakes by funds that had previously confined themselves to Arican sports franchises — all of it pointing in the sa direction. He had thought about it the way a president thinks about things that might matter later — with one eye on the present and one eye on the horizon.
What the Aricans brought, if they ca fully, was not just money. It was a different relationship with money. The Middle East had arrived in European football with sovereign wealth — liquid, imdiate, national in character, operating on a logic that had nothing to do with profit and everything to do with sothing else. The Aricans, if they ca, would arrive as investors. With investor logic. Return on investnt, growth projections, market share. A fundantally different chanism, with fundantally different implications for how clubs like Barcelona — historic, leveraged, built on a model of mber ownership and accumulated debt — would navigate the next twenty years.
He did not know what it ant yet. He was not in a position to think that far ahead. He filed it and let it sit.
What he did know was this: a few hours ago, the conversations with Goldman Sachs had produced sothing concrete. Preliminary talks. The shape of a negotiation beginning to form. A number — just a number at this stage, nothing signed, nothing committed — but a number that had made him sit back in his chair and exhale for the first ti in months.
Over five hundred million dollars.
He knew what that number ant. He knew exactly what it ant, in the specific and unglamorous language of the club's actual situation.
It ant the transfer fees still owed to other clubs — the outstanding instalnts on deals done in better years, the paynts that had beco problems because the cash flow had stopped — those could be cleared. Or at least managed. Bought ti, restructured, moved from the urgent pile to the manageable one.
It ant wages. The players, the staff, the people who kept the building running — they would be paid. Not nervously, not with the background anxiety of a treasurer who was counting days — properly paid, with sothing left over.
It ant the scattered architecture of debts that had accumulated across different creditors, different tilines, different terms — that could be consolidated. Brought into a single structure with a single repaynt tiline, longer and more manageable than the current arrangent of deadlines arriving from multiple directions simultaneously.
Most importantly — and this was the thing he ca back to whenever he thought about it — it ant the club would still exist as a functioning entity next year. That was not a dramatic statent. That was just the truth of where they had been. The loan was not glamorous. It was not the kind of announcent you made at a press conference with a smile. It was a rescue — clean and necessary and unglamorous — and it was the most important thing that had happened to this club since he ca back.
And it was happening.
There were other things too, smaller in scale but aningful in accumulation. New sponsorship arrangents moving forward. Other financial instrunts being negotiated. The club's performance on the pitch — which was its own kind of currency, its own argunt for future investnt — had been extraordinary this week, the kind of form that made the conversations easier, that made the people across the table more interested.
Taken all together, this week had been — unambiguously, materially, in every way that counted — the best week of his second presidency.
He was still sitting with that thought, allowing himself the small luxury of it, when the knock ca.
"Co in."
The door opened.
Ferran Reverter entered with the particular quality of soone who was very good at their job and had been doing too much of it for too long without sufficient rest. He was impeccably dressed — the suit precise, the shirt correct, the kind of appearance that required maintenance even at this hour and had received it — but his eyes told a different story. They were the eyes of a man who had been running at a pace that did not allow for the kind of sleep that actually restores a person, and who had been doing it long enough that the tiredness had settled in as a permanent condition rather than a temporary one.
He was the CEO. By any reasonable definition of that role, a significant portion of what Laporta had been directing him to do over the past weeks fell outside its scope — the granular, specific, sensitive work of a club navigating a crisis it could not publicly acknowledge was as serious as it was. A CEO handled strategy, structure, governance. What Laporta had been asking of him was sothing closer to everything, because there were not yet enough trusted people in the right positions, and the sensitive nature of the situation made trust the most scarce resource of all.
Ferran had handled it without complaint.
Laporta noted this. He did not say it.
"Sit down," he said instead, and for the next twenty minutes he walked Reverter through the next steps — the sequencing of what was coming, the timing of the announcents, the things that needed to happen quietly and the things that could happen in the open, the people who needed to be spoken to and the people who needed to not be. Reverter listened, asked precise questions, made precise notes, the efficiency of a man who had learned to extract exactly what he needed without requiring repetition.
"Okay," Laporta said, when it was done. "That should be all for now."
Reverter closed his notebook. "Of course, sir." He stood. Moved toward the door.
Stopped.
Turned back.
There was sothing in his face — a hesitation that had not been there during the briefing, a quality that Laporta recognised imdiately as the hesitation of soone who had been deciding whether to raise sothing and had arrived, reluctantly, at deciding yes.
"Sir." A pause. "There's one more matter."
Laporta looked up from his laptop. "What is it?"
Reverter's hands moved slightly at his sides — a small, unconscious movent, the body betraying the difficulty the voice was managing to conceal. He cleared his throat once.
"It's regarding Jorge ssi." He said it carefully, the way you say the na of sothing significant. "He sent another mail to the club. About the renewal of his son's contract."
Laporta's hands stopped.
Not dramatically. Just — stopped. Fingers resting on the keys, the motion suspended, the docunt on the screen forgotten.
A beat.
"And we don't know w—"
"It's fine," Laporta said. "I understand."
Reverter paused. Opened his mouth again, clearly with more to say — the specifics, the tiline, the questions that had been accumulating around this particular subject for weeks.
"Tell Deco to begin contract renewal talks with Mr. ssi." He said it evenly. Then he looked back at the screen and resud typing. "That will be all, Mr. Reverter."
Silence.
Reverter stood where he was for a mont — the particular stillness of a man who has received an instruction that surprised him and is deciding how to respond to it. The instruction was clear. The decision behind it was enormous. The conversation they were not having about it was louder than the one they had just had.
"Of course, sir." He gathered himself. "I'll update you on developnts."
He moved to the door.
It closed behind him with a sound that was heavier than a door closing needed to be.
Laporta did not look up.
He kept typing.
Or he appeared to keep typing — the fingers moving, the cursor advancing, the surface of the thing continuing as though nothing had changed in the last ninety seconds.
Then his hands stopped.
The eyes that had been light all evening — genuinely, warmly, unperfordly light, the eyes of a man who had allowed himself a good week — were heavy now. Not gradually. All at once, as though a switch had been found and thrown, the weight returning to them with the efficiency of sothing that had only been temporarily set aside and had been waiting patiently to co back.
He sat very still.
Then he exhaled — long, slow, the exhale of a man who had just rembered the size of sothing he still had to figure out.
And then he started typing again.
...
A few miles away, on the sa Barcelona night, a black Cupra was moving at approximately the pace of a patient man on a Sunday walk.
The road was the problem. Or rather, the people on the road were the problem — the afterglow of ninety thousand people dispersing into a city that had already decided tonight was a celebration, spilling across streets and pavents and junctions, singing in clusters, moving without particular urgency, Barcelona doing what Barcelona did after a win.
Pedri navigated it with the calm of soone who had grown up here and had learned that certain nights simply required patience.
Inside the car, the mood was the opposite of Laporta's office in almost every conceivable way.
"Why don't you play a song?"
Olivia's voice ca from the back seat, easy and light, filling the comfortable quiet that had settled since they left the stadium area.
"Ooh — yeah, okay." Mateo was already reaching for the dashboard, his energy imdiately invested in the task. He found the controls, navigated to sothing, started scrolling. The car filled with the sound of a comntator discussing the Champions League draw.
He kept scrolling.
More comntary. Different voices, sa subject.
"Let just—"
"Just connect your phone," Aina said.
"Okay, yeah." He found the Bluetooth. Connected. Opened an app. Squinted at the screen.
"YouTube?" Aina said.
"Yeah."
She looked at him. "Apple Music?"
"Not paying."
"Spotify?"
"Don't have it."
The silence that followed was the silence of soone choosing their words.
"Then why," Aina said, very carefully, "did you even connect your phone?"
Mateo opened his mouth.
Aina was already reaching into her bag. "Give . Turn off your Bluetooth."
Mateo turned off his Bluetooth.
In the front seat, Pedri kept his eyes on the road and his smile to himself — the particular smile of soone who was enjoying sothing and had made the correct decision not to involve himself in it.
The silence of the Bluetooth handover resolved itself, and Aina's phone found the car speakers, and for a mont the question of what to play remained open.
Pedri glanced at the rear-view mirror.
"That's right — Olivia." He said it conversationally, the way a thought arrives. "You said you were a musician."
"Well—" She laughed, a small, self-deprecating sound. "I'm trying to be."
"Have you released anything? A demo, a single?"
"Yes but—" Mateo had already turned around in his seat, facing the back. "That's true. Let's hear it. Aina—" He pointed. "Play her song. Let's hear it."
"No—" Olivia's hands ca up. "You really don't need to—"
"Don't be shy," Aina said, already scrolling, not looking up.
"I'm not being shy, I just—"
"She's being shy," Aina told Pedri and Mateo, as though Olivia had not spoken. "Don't mind her." She found what she was looking for, held up the phone briefly, the album art visible. "There's a single she released a few months back. It's so good. I'm playing it."
"Aina—"
"It was number one," Aina said, still scrolling. "In the country. Number one."
The back seat went quiet.
Pedri looked in the mirror. "Wait — actually?"
"Wow," Mateo said. The word ca out with the particular weight of soone recalibrating. He looked at Olivia — really looked, the kind of look that is taking sothing in rather than just landing on it. "I didn't know you—" He stopped. The words weren't quite forming into what he ant, so he let them go and tried a different direction. "That's — that's insane."
"It's not that big a—"
"She also has an album coming," Aina said.
"What—"
"Soon. It's coming soon."
Mateo sat with this for a mont. Then he shook his head, and the smile he produced was genuine in a way that had nothing perford about it — the smile of soone who was actually impressed and had decided there was no reason not to say so.
"That's genuinely insane," he said. "And I an that — I don't know much about the music industry, I'll be honest with you, I don't really follow it. But even I know what number one ans, and I know what an album ans, and that—" He looked at her directly. "That's a serious accomplishnt. That's not a small thing."
Olivia looked at him.
She had been preparing to deflect — had the words ready, the self-deprecating laugh on standby — and then she looked at his face and found that the sincerity there was not sothing she could deflect cleanly, because it was not performing sincerity. It was just — there. Clear and straightforward, the way certain people are straightforward about things when they an them.
She looked at him for a mont longer than she had intended to.
"Yeah," she said, quietly. "I guess it is."
"Playing it now," Aina announced.
"Aina—"
The song started.
The car shifted — the way cars shift when music that has been put together carefully fills a small space, the atmosphere changing before you've had ti to decide what you think about it.
Pedri had glanced at the dashboard display when the connection ca through, reading the title there — two words, the font small against the screen.
Drivers License.
He looked at it. Then, without looking away from the road, said it quietly.
"Drivers license."
Mateo, who had also read it, turned and looked at Pedri. A slow smile arrived on his face — the particular smile of soone who has found sothing and is now choosing the right mont.
"Well," he said. "At least if the police stop us, soone in the car has one."
Pedri laughed.
"Pardon?" Aina said.
"Oh—" Mateo waved a hand, light and innocent. "He doesn't have a drivers license."
Olivia and Aina both turned to look at Pedri simultaneously. Then at each other. Then at Pedri again. The look they exchanged in that half-second was a entire conversation.
"But he's the one driv—"
"Shush," Mateo said. "The song's started."
Aina stared at him.
He was already facing forward, listening.
She turned to look at Olivia with an expression that said several things at once, the primary one being: I have no idea what is happening. Olivia pressed her lips together. Aina looked at the back of Mateo's head. Then at Pedri, who was driving them around Barcelona without a licence and appeared entirely unbothered by the revelation. Then at the windscreen.
She said nothing.
The song played.
Mateo heard the voice co through the speakers and sothing in him went still.
Got my drivers license last week—
He knew that voice.
Not from a recording, not from a playlist — he knew it from a corridor, from a quiet apartnt evening, from the low, private sound of soone working through a lody when they thought nobody was listening. He had heard it unguarded and unprepared, directed at no one, just existing in a room.
This was the sa voice. But it was doing sothing different now — it was fully itself, fully extended, every note placed with the specific intention of soone who knew exactly what they were building and how each piece contributed to it.
Really good, he thought, without deciding to think it. He kept listening.
The song moved through its verses and into sothing larger, the production opening up around the voice, the voice rising to et it. He did not catch every word — so of the references were specific in ways that assud a context he didn't have — but the feeling of it was entirely accessible. You didn't need the context. The voice gave you everything you needed.
He kept his eyes forward and said nothing until it finished.
The last note resolved. The speakers went quiet.
Nobody said anything for a mont.
Then Mateo said: "Wow."
He left that there for a second. Then he turned around — fully, properly, resting one arm on the seat back — and looked at Olivia. She was watching him with the careful, slightly braced expression of soone waiting for feedback they want to receive well and are not certain they will.
He shook his head slowly. Smiling — the full version, both rows, entirely unselfconscious.
"Now I know why it was number one," he said. "That song is really good."
"The voice," Pedri said, from the front. "I didn't understand all the words — my English—" He made a small, apologetic gesture. "But the voice. The voice is very—" He searched for the right word, then landed sowhere that worked. "Pleasing isn't the right word. Affecting. It affects you."
"I've told you," Mateo said, turning to Pedri. "Go learn English, bro."
"My English is fine—"
"Your English is not fine—"
"Mateo," Aina said.
He stopped. Turned back to Olivia.
"But honestly," he said, dropping the Pedri thread without ceremony. "The song is really good. Very good."
Aina grabbed Olivia's arm from the other side, pulling her into a half-hug with the satisfied energy of soone who has been vindicated. "Isn't it? I already told her — I told you—" She pointed at Olivia. "I already told you."
"You did," Olivia admitted.
"And now Mateo has told you. And Pedri, in whatever language that was—"
"That was a complint—"
"I know, I'm agreeing with you—" Aina disentangled herself from Olivia and straightened up, arranging herself with exaggerated dignity. "And when you're accepting all your awards — all of them, every single one — I want you to rember my na. Specifically. By na. Looking into the cara. Aina Cerda. Don't just say 'my best friend.' By na."
"I'll consider it—"
"By na, Olivia."
"I'll think about—"
"Aina. Cerda."
Olivia was laughing now — proper, unguarded, the laugh that ca when Aina had committed fully to a bit and the commitnt itself was the funniest part. Mateo was laughing too, head dropping slightly, and she caught the sight of it — the ease of it, the way he laughed without any managent, and she felt sothing warm move through her that she made a quiet, deliberate decision not to examine too closely right now.
She looked at him.
"Thank you," she said. aning it.
He shook his head. "Don't thank for saying sothing true."
"We're here," Pedri said.
The Cupra slowed and stopped. He looked at what was ahead, then looked at Mateo.
"Are you sure this is the right place?"
Everyone leaned forward to look.
A food truck. Small, stationary, positioned at the edge of a quieter side street at an angle that suggested it had been parked in this exact spot for long enough that the street had simply arranged itself around it. The paint was worn in the specific way of sothing that had been in weather for many years and had stopped caring about it. A string of lights ran along the serving edge, warm and slightly uneven, so bulbs brighter than others. No queue. No custors visible. But the hatch was open, and a light was on inside.
Aina looked at it.
Pedri looked at it.
Olivia looked at it.
Then at Mateo.
Mateo was already getting out of the car, smiling, with the particular energy of soone arriving sowhere they have been looking forward to.
"Yes," he said simply. "This is the place."
The others got out — not entirely convinced but willing to be led. Mateo and Pedri pulled their masks up as they ca around the car, the practiced movent of two people who had learned to make this adjustnt automatically whenever they stepped into any public space.
Olivia ca around the front of the car and found herself briefly beside Pedri as they moved toward the truck. She glanced at him — at the mask, at the line of his jaw above it, at the way the warm light from the truck's string of bulbs caught the top of his face. He turned his head slightly and she caught the mont his cheeks moved — the mask shifting in the specific way that ant a smile underneath it.
She looked ahead.
"How do you start a night," Mateo said, turning back to face them as he walked, "without tapas?"
He spread his arms briefly at the truck, the gesture of a man presenting sothing he is proud of.
Then he stopped. Turned to Aina with the expression of soone rembering sothing they had been saving.
"You know this is Uncle Hugo's truck?"
Aina stopped walking.
"No way."
"Yes way."
"Uncle Hugo?"
"Uncle Hugo."
She looked at the truck again — at the worn paint, the uneven lights, the hatch open in the warm evening air — and sothing in her face changed, the expression of a person recognising sothing they had not expected to see again and had not realised they had missed.
"No way," she said again, differently this ti. Already moving faster.
Pedri and Olivia looked at each other. The look of two people who had just been given context they didn't have and were choosing to simply follow the energy and catch up later. They fell in together without discussing it and moved toward the truck.
Olivia noticed — and filed away without comnt — that Pedri's stride had shifted slightly to match hers without him appearing to notice he had done it.
Behind the truck's counter, a man was moving with the unhurried efficiency of soone who had been doing this for long enough that most of it had stopped requiring conscious attention. He was sowhere in his sixties — a broad, solid fra that had settled comfortably into itself over the years, the kind of build that had once been sothing more and was now simply substantial. His hair was mostly grey, close-cut, and his face had the particular quality of soone who had spent a significant portion of their life outdoors and had the lines to prove it. He moved between surfaces with the ease of a man entirely at ho in a small space, the truck's interior fitted to him the way a long-worn coat fits — everything within reach, nothing wasted.
He looked up when he heard them coming.
Looked at the group.
Two of them had masks on. Two didn't. He squinted slightly — the professional squint of a man assessing custors at a distance — and waited.
Mateo reached the hatch first and pulled the mask down just enough.
The man's face changed imdiately.
"Hey — boy!" The volu arrived before the words had fully ford, the surprised delight of soone who had not expected this and was not containing it. "Ah ah!" He leaned on the counter, then leaned further, the whole upper half of him coming through the hatch. "Hey! You!"
"Uncle Hugo—"
"Ah ah ah!" He was already coming around — out of the truck, down the small step at the side, onto the street, moving with considerably more speed than a man of his age and build typically produced. He grabbed Mateo, not delicately, and Mateo went with it, laughing, and for a mont they were just that — the boy and the man, the gap of ti between them being closed by the specific physics of a proper hug.
Then a voice ca from behind Mateo.
"Uncle Hugo!"
He pulled back. Looked past Mateo at the girl standing there.
He squinted again.
Then his whole face opened.
"Wait—" He pointed — a slow, incredulous point, the finger moving toward her while his brain continued to confirm what his eyes were already telling him. "Is that—" He shook the point. "AINA?"
"Yes!"
"AH!" He was already moving. "Small girl! Look at you — look at you!" He reached her and she went into the hug without hesitation, laughing, and he held on with both arms, shaking his head over her shoulder at no one in particular, making the sound of a man who has been genuinely surprised and is genuinely pleased about it.
"So big!" He pulled back to look at her properly, hands on her shoulders, examining her with the thoroughness of soone making sure everything was as it should be. "So big you are now — when did this happen?"
"I don't know," she said, still laughing. "I just kept growing."
"Children," he said, with great feeling, shaking his head again.
He looked up and found Pedri and Olivia standing slightly behind, watching the reunion with the warm, slightly amused expressions of people who had arrived at a good scene and were content to be at its edges for a mont.
"These must be your friends," he said, his voice settling into sothing more conversational.
"Yes—" Aina straightened, gesturing. "This is Olivia. My best friend." She paused. "She is also—"
"You can call Uncle Hugo," he said to Olivia, entirely certain about this, extending a hand across the distance between them. "Everyone does eventually."
Olivia took it. His handshake was the handshake of soone who had shaken a great many hands and had no remaining patience for weak ones. "Hi, Uncle Hugo."
"Good." He looked at the masked figure beside her. "And this one?"
Mateo stepped in. "My teammate."
Hugo looked at the mask. At Mateo. Back at the mask.
Pedri pulled it down.
Hugo blinked.
Then: "Pedri."
The na ca out with the specific weight of soone who watched football and understood imdiately what they were looking at. He composed himself quickly — the composure of a man who had been around enough in his life to et things without completely losing himself — and straightened, extending his hand.
"A pleasure," he said, more formally now. "A real pleasure."
Pedri shook it. "The pleasure is mine, sir."
"Sir." Hugo looked at Mateo. "Your friend has manners. Unlike you."
"I have manners—"
"You once put a bug in the new crops to scare new custors."
"I was four—"
"The bug didn't care how old you were." He looked at Aina. "And you — you were standing there laughing."
"I was absolutely not—"
"You were."
Pedri and Olivia were not even trying to hide it anymore. Olivia's hand had co up to cover her mouth and was not succeeding in its assignnt. Pedri's mask was still down and the smile was completely visible.
Hugo looked at both of them, then back at the two cousins.
"You knuckleheads," he said, with enormous fondness. "Co. Sit. All of you."
The table was small — just outside the truck, four chairs around it, the kind of arrangent that had clearly hosted many nights like this one. Hugo moved between the serving hatch and the table with the easy rhythm of soone who did not need to be asked what people wanted and generally just brought what he thought they should have.
The tapas arrived in stages. Patatas bravas first, the sauce dark and properly spiced. Then jamón on a small board, thin enough to be translucent at the edges. Then sothing in a small ceramic dish that stead gently and slled of garlic and olive oil and sothing Olivia couldn't identify but imdiately wanted more of.
Mateo reached across and pushed one of the dishes toward Olivia.
"Try that one," he said.
"What is it?"
"Good."
"That's not—"
"Just try it."
She tried it.
It was very good. She acknowledged this, which pleased him in a way that was disproportionate to the stakes.
"And be careful — that one's hot." He pointed at the small ceramic dish she had just reached for. "The one on the right. Let it cool."
She was already lifting it.
The sound she produced was not dignified — a small, sharp "ah" followed by a rapid transfer of the dish from her fingers to the table, then a series of shorter sounds while she worked out what to do with the heat on her fingertips.
Mateo was already laughing.
"I told you—"
"You said let it cool, you didn't say it would—"
"That's what cool ans, it's not that—"
"It was very hot—"
He reached over, still laughing, and tilted the dish handle toward her — the cooler side, the part that had been away from the heat — demonstrating. "Here. This part."
She took it from that side. Successfully. Tried the contents.
The laugh that ca out of her was partly at the food — which was excellent — and partly at herself, which was the best kind of laugh.
"Thank you," she said.
She paused.
"Again."
He pointed at her. "There it is."
They both laughed — the particular laugh of an inside joke in the process of becoming one, two people finding the sa thing funny and the finding-it-funny itself becoming the thing.
Across the table, Aina had stopped eating and was looking at them.
Pedri, beside her, had also stopped.
"You know," Aina said, not loudly, "we are right here."
"Seems they're in their own little world," Pedri said, equally quiet, watching them with the mild, entertained expression of soone observing sothing pleasant from a comfortable distance.
Aina looked at him. Then at the two of them. Then back at him. Then she rolled her eyes — the full rotation, committed — and picked up her fork.
Pedri laughed softly.
Then, after a mont: "So — the stadium. Was it different? From when you were younger?"
Aina looked at him. The question had been easy, conversational — the natural next thing. She considered it genuinely.
"I went a lot as a kid," she said. "I rember the noise, the colours — but I was so young, I think it just felt like being sowhere big and loud." She paused, thinking about today specifically, the anthem in the corridor and her father crying at his phone and the sound of ninety thousand people saying King in unison. "Today felt different."
Pedri was watching her, not speaking, giving the thought room.
She looked at him.
And because the evening was warm and the food was good and the light from the truck's string of bulbs was soft and the mask was still down from when he had introduced himself to Hugo, she could see his face properly. The way he was listening. The quality of it — not waiting for his turn to speak, actually receiving what she was saying.
She held his gaze for just a beat longer than the sentence required.
"Or maybe—" Her voice was slightly different now, unhurried, aware of sothing without naming it. "Maybe it's because I've started appreciating the sport more."
Pedri went still.
Just for a mont. The particular stillness of soone who has received sothing unexpected and is deciding what to do with it.
She completed the sentence — "how beautiful it is, how exciting" — and looked at her food, and the mont passed into the warm Barcelona night where it would sit undisturbed.
Pedri looked at the table.
He smiled.
A small, quiet one, directed at no one.
The four of them sat in the gentle, improbable warmth of a worn-down taco truck on a side street in Barcelona, the city still singing sowhere in the distance, the night still young in the way Barcelona nights stayed young —
"Does anyone want anything else?"
Hugo appeared at the edge of the table, cloth over one shoulder, looking at all of them with the satisfied expression of a man who had fed people well and knew it.
And that, as Mateo had promised, was only the start.
They left Uncle Hugo's truck on foot.
No discussion about it — Mateo had simply started walking in a direction and the other three had followed, which was, they were beginning to understand, simply how an evening with Mateo King operated. You did not plan. You followed the direction of a person who knew where he was going and trusted that knowledge implicitly, even when the destination was not announced. And.
Barcelona received them.
The first hour moved the way good evenings move — in pieces, each one complete in itself, connected to the others by nothing more than forward motion and the particular montum of four people who had stopped being strangers and had not yet beco anything with a na.
A narrow street, still busy despite the hour, the buildings pressing close on both sides and the sound of music coming from sowhere above them — a window open, a song spilling out, soone else's night bleeding pleasantly into theirs.
A junction where a group of older n were playing cards at a table soone had carried outside, with the serene confidence of people who had been doing this for forty years and saw no reason the street should have any feelings about it. Mateo stopped to watch for thirty seconds. One of the n looked up and said sothing in rapid Catalan. Mateo said sothing back that made two of the others laugh. He kept walking.
"What did he say?" Olivia asked.
"He said I look too young to be out this late."
"What did you say?"
Mateo smiled. "I said he looked too old to still be losing money."
They kept walking.
The club appeared in the way things appear when you are not looking for them — a door in a wall, warm light escaping from its edges, the low bass of music suggesting what was on the other side without committing to it.
Mateo stopped.
Looked at the door.
Looked at the group.
Looked at the door again.
"Give two minutes," he said.
He walked to the entrance, where a man the approximate size and enthusiasm of a load-bearing wall stood with his arms folded. Mateo said sothing. The man shook his head. Mateo said sothing else — lower, with the particular quality of soone adjusting their approach based on new information. He reached into his pocket.
A brief exchange. Hands moving. Sothing passing between them with the unhurried discretion of a transaction that both parties understood perfectly.
The man stepped aside.
Mateo turned back to the group, both hands out.
"Shall we?"
Aina looked at the door. At the man. At Mateo.
"How much did you give him?"
"Enough."
"How much is enough?"
"Less than you'd think." He was already moving. "Co on."
Inside, Barcelona at night was a different city entirely.
The music was already in them before they had properly entered — felt in the chest first, then heard, the bass frequency arriving through the floor and the walls and the air simultaneously. Lights moved in patterns across the crowd, warm colours mostly, the kind of lighting designed to make everyone look like the best version of themselves.
The dance floor was full but not crushed — enough room to move, enough bodies to disappear into if you wanted to.
Mateo wanted to.
He found a space near the centre with the navigation of soone who had done this in this city before, turning to say sothing to Olivia over the noise — she caught about half of it, the rest swallowed by the music — and then his hand was at her wrist, not grabbing, just suggesting, and he was moving toward the dance floor.
"I don't really—" she started.
He was already dancing.
The thing about Mateo dancing, Olivia discovered in the next approximately fifteen seconds, was that he did it with the sa quality he appeared to do everything — with complete commitnt and zero self-consciousness, his whole body involved, his face doing the expression of soone who was having an unreasonable amount of fun and saw no reason to moderate it.
He turned to her, still moving, eyebrows raised. Well?
She laughed.
And then — because the music was good and the night was warm and she was in Barcelona and the lights were moving across the ceiling and sothing about the last four days had quietly rearranged so things inside her — she started dancing too.
From near the edge of the floor, Aina watched this happen.
Then she looked at Pedri, who was watching it happen beside her.
They both started laughing at approximately the sa mont.
Later — how much later was unclear, ti having made itself irrelevant — they were outside again, moving through a different part of the city, following a sound that had been growing for the last two streets.
A festival. Or sothing like one — a street procession, organised and loose at the sa ti, music coming from a group at the front with instrunts that nobody had agreed on in advance but that sohow worked together anyway, people joining the edges of it as it moved, the whole thing expanding as it went.
They joined the edge of it.
It was moving in their direction anyway, Mateo reasoned. They were basically just walking.
Aina was beside Pedri at the back of their small group, watching the procession ahead, when the cobblestones betrayed her.
Not dramatically. Not a full fall — just the particular wrongness of a foot eting a surface at an angle it didn't expect, the brief, lurching loss of control that happened faster than any response could form.
Pedri's arm was there.
Not reaching for her — just there, at the right height, at the right mont, in the way that happens when soone's spatial awareness has been quietly oriented toward another person for long enough that the body starts to act on the information before the mind has given the instruction.
He caught her around the waist. She steadied. He held on just long enough to be sure she had her footing, and then his arm was still there for a mont after that, which neither of them addressed.
She looked up at him.
He looked down at her.
The procession moved around them, the music and the movent of people flowing past on both sides, and for a mont they were simply still inside all of it, the noise and colour of Barcelona's night continuing without caring that two people had gone quiet inside it.
Aina laughed first — the small, slightly breathless laugh of soone releasing sothing.
"Again," she said.
"Again," he confird.
Ahead of them, Mateo had found the densest part of the procession and inserted himself into it with the naturalness of soone joining sothing he had always been part of, and was now dancing with approximately forty strangers to music that had been collectively improvised, and was clearly having the best ti he had had all evening. He turned, found Olivia at the edge, pointed at her, and then pointed at the space beside him with the insistence of soone who was not going to accept no.
Aina watched Olivia shake her head.
Watched Mateo's expression.
Watched Olivia get pulled in anyway, laughing before she arrived.
She felt Pedri's arm still loosely at her waist.
She did not move away from it.
Sowhere between the festival and the beach, a group of children appeared.
They were not supposed to be out at this hour — their ages suggested eight, nine, ten — but Barcelona at night had its own relationship with curfew, and the children of Barcelona appeared to have reached their own conclusions about it. They had equipped themselves with an array of water guns and were conducting what appeared to be an extrely well-organised tactical operation from behind a low wall.
Pedri walked through the ambush zone first.
He erged from it completely soaked — shirt plastered to his shoulders, water running from his hair, the expression of a man who had heard sothing and had turned to see what it was at the exact worst mont.
He stood and looked at the wall.
Eight small faces looked back at him from behind it.
There was a long pause.
Then he shook his head — slowly, with great dignity — and kept walking.
The laughter from the other three was imdiate and total, the kind that bends you forward, and Pedri walked through it with the composure of a man who had decided that composure was the only available option and had committed to it fully.
"Not one word," he said.
"I'm not saying anything," Mateo managed, through laughter.
"You're saying it with your face—"
"I can't help my face—"
The beach arrived quietly.
One mont they were in the city — the streets, the lights, the noise — and then there was a gap between buildings and the sound changed, opened up, the city sounds replaced by sothing older and less structured. The diterranean at night. The water invisible in the darkness except where the ambient light caught its surface in moving pieces.
They walked onto it naturally, the sand soft under their feet, the temperature dropping just enough to be pleasant. The city was still there behind them — its glow sitting on the low horizon, warm and present — but ahead was just dark water and sky, the stars making their argunt against the light pollution with varying success.
It separated them without anyone deciding it should.
Mateo and Olivia drifted toward a cluster of rocks at the edge of where the beach curved — large, flat stones worn smooth by years of water, stacked at angles that created natural seats. Aina who had wanted to go on a walk and Pedri who decided to follow along kept walking along the waterline, the wet sand dark beneath their feet, the small waves running in and touching their shoes and retreating.
Aina was looking at the sky.
She had been looking at it since they ca down onto the sand — tilting her head back, tracking sothing, the particular focus of a person who knew what they were looking at and was finding it.
"There—" She stopped walking. Grabbed Pedri's arm without ceremony and pointed upward, her finger directing his attention to a specific part of the sky. "Look. Cassiopeia."
He looked where she was pointing. Five stars arranged in a shallow W shape against the dark, brighter than the ones around them, holding their position with the quiet permanence of things that have been doing this for longer than anyone can usefully imagine.
"Nad after a queen," Aina said, still looking up. "Ethiopian queen — Greek mythology. She was vain, apparently. Said she was more beautiful than the sea nymphs. The gods put her in the sky as punishnt. Made her rotate around the pole star — so for half the year she's upside down." She paused. "Which feels a bit harsh for having an opinion about yourself."
Pedri was watching her talk.
"And there—" She moved her pointing hand. "Ursa Major. The Great Bear. You can use it to find the North Star — the two stars at the edge of the cup, you draw a line through them and follow it about five tis the distance and you arrive at Polaris." Another pause. "Sailors used it for navigation for thousands of years. Before GPS, before compasses — just that star. That specific star."
She went quiet.
The waves ca in and touched their feet and pulled back.
"It's beautiful," she said. The words ca out quietly, directed at the sky, not particularly at him.
Pedri looked at her.
At the line of her profile against the dark — the clean angle of her nose, the slight part of her lips, the way the faint ambient glow from the city behind them caught the edge of her face and left everything else in soft shadow. The way she was holding herself, head tilted up, completely absorbed, completely unguarded, entirely herself.
"Yeah," he said.
Aina lowered her eyes from the sky.
Found him looking at her.
The mont lasted exactly as long as it needed to — which was not very long, but was long enough — before her expression shifted, the absorbed quiet replaced by sothing brighter and more alive, a smile breaking through.
"Dude—" She flicked his arm, light and quick, already stepping back, the seriousness dissolving into motion. "What is wrong with you—"
She was already moving, pointing at him, backing up along the waterline, laughing — the laugh of soone who has just had a mont and is choosing to run from it rather than sit inside it, which is its own kind of answer.
Pedri looked at her.
At the way she was moving — the backward jog, the pointing, the laughter, the invitation that was not stated but was completely present in every part of how she was holding herself.
He did not think about it.
His feet found the sand and he ran.
She scread — the delighted, running scream of soone who wanted to be chased and is now being chased and is exactly where they wanted to be — and he closed the distance faster than she expected, and the beach was dark and the stars were out and the city glowed behind them, and the sound of it carried out over the water and was received by no one in particular and everyone who needed it.
The rocks were private in the way that certain spots on beaches are private — not hidden, but angled away from the open sand, enclosed on two sides by stone, the kind of place you only find if you are walking without a destination and happen to choose the right direction.
Olivia had found the best rock without discussing it — a wide, flat surface at a comfortable height, slightly warm still from the day's sun, angled toward the water. She had arranged herself on it with her knees drawn up, arms around her legs, the posture of soone settling in for sothing.
Her face was open in a way it had not been all evening — not performing ease or warmth or amusent, just actually at ease. Actually here. The laughter she had been producing for the last hour was still sitting in her expression sowhere, the residue of it making her look lighter than she had at any point since the night started.
She was laughing now — a full, wide-open laugh, her head dropping forward slightly with it, the sound going out over the water and coming back changed.
"No way that's true," she said, looking up at Mateo, who was standing slightly above her on a higher rock, his mask completely off, his face visible in the low ambient light.
"I'm telling you the truth," he said. The grin was enormous. "Every word."
She laughed more.
He watched her laugh and the grin settled into sothing slightly different — still warm, but quieter, the particular expression of soone watching sothing they find worth watching.
The laughter ca down gradually, by degrees, the way laughter does when it has run its natural course.
She looked at the water.
"If only I could be as bold as you," she said.
She said it quietly — not quite to him, not quite to herself, to the space between, the kind of thing you say when you are not sure whether you intend to be heard.
He had heard.
"Yeah," he said. "It's a curse sotis."
She laughed — smaller this ti, softer, the laugh of soone receiving a joke and giving it what it deserved without more than that.
He smiled.
Then, after a mont: "Is this about the song I saw you writing?"
She went quiet.
The water moved. In and out, the sa patient rhythm it had been maintaining since long before either of them existed.
"No," she said. Then: "I an — not exactly." She paused. "It's — it's not the song."
She looked at her hands on her knees.
"I love music." She said it simply, the way you say sothing when it is the most basic true thing about you and you have decided to just let it be basic and true. "I love it — the writing, the recording, the way a song starts as sothing in your head, sothing you can barely hear, and then you work at it and work at it and one day it becos a real thing that exists outside of you." She smiled at sothing she was seeing in her own mind. "And then soone else hears it and it becos real inside them too, and it's the sa song but it ans sothing completely different to them, and sohow that doesn't break it — it just makes it more."
She went quiet.
He was watching her. Not with the watching that makes people self-conscious — the other kind, the kind that makes people feel like what they are saying is worth the air it's taking up.
"So what's the problem?" he said.
She looked at the water.
"I'm not sure anyone else will love my music." She said it carefully, like sothing being taken out and examined honestly for the first ti. "One song — okay, fine, one song can do well. You know how many one-hit-wonders there are? People who have one song that works and then nothing — because the song was a mont, not a thing, and the mont passed and they passed with it." She shook her head. "An album is different. An album is — you're not just offering a song. You're offering yourself. The whole shape of who you are right now, everything you think about, everything you feel — all of it, organised and presented and sent out into the world for people to decide whether they want it." She stopped. "What if they don't?"
She said the last sentence quietly. Just the question, sitting there.
"I'm just scared," she said. Even quieter.
He opened his mouth.
She got there first.
"How do you do it?"
He blinked. "Pardon?"
"Today." She looked at him, and her expression when she did was the open, unguarded one — the one without managent. "Before the match. I saw you on the line, and the crowd was making that sound, and you just—" She stopped. The right words were sowhere and she was finding them. "You were glowing. Like you were exactly where you were supposed to be. Like the noise was yours. Like you belonged inside it."
She looked away.
"How do you do that? How did you know — your first ti, when you saw that crowd — how did you know you could do it?"
The question sat between them.
Mateo was quiet for a mont — genuinely quiet, the quiet of soone who had been asked sothing honest and was going to give it the respect of an honest answer rather than a quick one.
"I honestly don't know," he said.
She looked at him. The disappointnt was slight but there.
"But—" He thought about it. "I just — I never thought I couldn't."
He said it slowly, working it out as he went. "Like, it wasn't that I was sure. It wasn't confidence exactly. It was more that the other option just — never really showed up. The option of not being able to do it. It just wasn't there." He looked at his hands for a mont. "Football has been everything to since I was small. Since I can rember. I've wanted this life so badly — I don't think I ever gave myself the space to imagine not being able to have it." He looked up. "I just never thought any other way."
She was looking at him.
He was telling the truth — she could hear it. Not the polished truth of soone who had rehearsed this for interviews, the unpolished truth of soone going sowhere they hadn't been before and finding the words as they arrived there.
"My grandfather always told —" he started.
And then he stopped.
Because she had opened her mouth at the sa mont.
And they said it together.
"Your only enemy is yourself."
Silence.
Mateo stared at her.
She stared at him.
"Wait—" he started.
But he could hear it already — the sound coming from sowhere along the beach, carried on the warm air, arriving before he had ti to process the mont fully. Laughter. Aina's laugh, specifically — loud and running and being chased.
He turned.
Turned back.
Olivia was still looking at him — at his face, in the low light, the city's glow behind him and the dark water beyond — and she was laughing now too, the small, delighted, slightly disbelieving laugh of soone who has just watched sothing improbable happen and is still reconciling the fact of it.
The wind ca in off the water and moved through her hair — not dramatically, just enough, just the small private rearrangent of soone in open air — and she brought one hand up to settle it, and the laughter was still on her face, still in her eyes, and the rock she was sitting on and the stars behind her and the way the night had arranged itself around the two of them in this specific corner of this specific beach in this specific city—
Mateo looked at her.
She was still smiling at him — the last of the laughter settling into sothing quieter, sothing that lived in the curve of her mouth and the line of her eyes and the small, unconscious ease of a person who had forgotten, for this mont, to be anything other than exactly where she was.
She opened her mouth.
And she said it — for the third ti tonight, each ti aning sothing slightly different, each ti landing sowhere slightly more specific than the last.
"Thank you."
Mateo looked at her.
At the wind in her hair and the smile that had nowhere to go but stay on her face and the way the ambient light of Barcelona fell across her like it had arranged itself without being asked.
He was seventeen years old, two months, and fifteen days.
He had never had a crush on anyone.
...
That's no longer true.
He understood, standing on a rock on a Barcelona beach with the diterranean behind him and his friends laughing sowhere in the dark.
The understanding arrived not as a thought but as a fact — the kind that has always been true and has simply been waiting for the right mont to be noticed. It did not announce itself with particular drama. It simply settled, quietly and completely, into the space where it had apparently already been preparing to live.
He looked at her for one mont longer — just one — and committed the whole thing to whatever part of him was responsible for keeping things.
Then he smiled.
"You're welco," he said.
A/N
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