Chapter 1324: Chapter 737: Guidance of the Wind of True Love
Soon, Dorothy couldn’t be bothered with confusion because the performance on the moonlit stage had officially begun.
The captivating voice of the Nine-Tailed Opera sounded in her ears, its exquisite singing seeming to penetrate directly into one’s heart through the ears and then etch itself deep within the soul.
The hearts and minds of all audience mbers who heard the singing were imdiately captured, leading to an instant imrsion.
On stage, the Enchanting Dancer was also moving; a graceful dance pose was enough to instantly capture everyone’s visual attention.
Perhaps at first, you focused only on the dancer’s incredibly alluring figure, rely watching with appreciative eyes, but at this mont, when she began to move, you found it impossible to look away.
The exquisite dance had already enchanted your heart and mind, and the emotions and ssages the dancer wanted to convey through her moves had now occupied your soul. You would forget everything else, no longer paying attention to trivial matters such as the dancer’s allure or her attractiveness.
When the singing and dancing occurred simultaneously, the double enchantnt brought an unparalleled audio-visual enjoynt. In an instant, you would feel a soul flight, directly plunging into the stage, as if you had truly beco part of the storyline, experiencing that segnt of the tale firsthand.
Real, real, and still astonishingly real.
“Turtle, this is truly the work of top-tier stars; such spiritual control could be life-threatening, yet it’s rely used for performance. It’s truly challenging to be a witch actor.”
These were Dorothy’s thoughts.
Even though she had once experienced it through mories from senior Fanny, that kind of experience behind a mory felt as if separated by a mbrane. No matter how ultra-thin, it ultimately felt different.
Moreover, the performance senior saw at that ti featured different actors. Although they were also top-tier stars, Dorothy felt the acting skills of the two ladies on the stage surpassed the previous lead actors.
“If you think it’s enjoyable, why are you daydreaming instead of focusing properly on the performance?”
At this mont, a tentacle from the hat above tapped the head of the hobody witch, and then Dorothy heard senior Fanny’s exasperated voice beside her ear.
Only then did Dorothy hold her breath and direct her focus, releasing the immovable as a Mountain state of Bodhisattva State of Mind, and actively imrsed herself in the illusionary realm of the song and dance.
Indeed, although the two prominent figures on the stage were top peaks, what they perford was an area enchantnt, an AOE (Area of Effect) skill, rather than a single-target skill. The hobody witch, relying on Bodhisattva State of Mind, could easily resist, staying conscious instead of being dragged into the performance without resistance like other audience mbers.
It was extraordinarily potent ntal magic. One could only say that the two ladies were indeed peaks of the Spiritual School; if they harbored any malice, most of the audience’s souls could be reaped effortlessly after this performance.
Honestly, this feeling of completely handing one’s life over to soone else’s hands was quite unpleasant, and under normal circumstances, Dorothy surely wouldn’t dare casually play like this.
But now it didn’t matter, after all, she was a Yin Cha—her soul wasn’t easily manipulated by anyone. If soone tried to tamper with her soul, they had to be prepared for their scythe’s blade to be damaged by hitting a rock.
Besides, there was a future Fourth King hanging above her head.
Even though senior Fanny might lack in other domains, in realms linked to illusions and dreams, she could rise to the occasion.
Therefore, Dorothy relaxed, ceased resisting, and even proactively accommodated the two ladies’ enchantnt skills, imrsing her spiritual will into the stage illusionary realm.
In a daze, as the world spun, when the hobody witch reopened her eyes, she found herself in a different environnt.
“Uh, how magical. It feels like I’ve crossed to another place again.”
This strange sensation reminded Dorothy of her previous experience during Witch’s Night.
The Witch’s Night’s dreamlike fantasy was quite similar to this feeling; both offered an extrely lifelike sense of reality, indistinguishable between real and fantasy.
However, the audience perspective here was still not as free as during Witch’s Night. At least now, Dorothy could only control her thoughts, unable to maneuver her own body.
Indeed, this was a viewer’s perspective similar to Magic Shadow, enabling the audience to enter the protagonist’s mind and watch the unfolding of the story from a first-person point of view.
However, shooting of Magic Shadow required ti and effort, professional actors, professional filming, and various scene setups.
Conversely, this song and dance drama required nothing; the actors could use their skill and acting alone to create effects comparable to a major production of Magic Shadow.
Perhaps even exceeding it…..
Having just shot Magic Shadow herself, Dorothy had so understanding; typically, Magic Shadow offered only a few character experiences to the audience, aside from the main characters and a few significant supporting viewpoints.
Now, in this stage illusion, the hobody witch felt as though she could incarnate into anything.
For instance, the character she embodied had now moved to the window, gazing at the scenery outside.
Shared by Dorothy, this character’s vision offered a panoramic view of the magnificent and grand cityscape outside the window.
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