Then he moved to her front.
She looked at him.
The amber eyes — soft with everything, the cultivation light still faint and present at her skin, the tears still running, the mouth still slightly open.
He guided her.
The flat, specific, unhurried guidance of his hand in her hair — the root-grip, the sa grip, the absolute, bone-following grip that the body followed because the head followed the hair.
She understood where she was being guided.
"Senior—" Small. "I don’t—I have never—"
He did not speak.
She looked at him.
She looked at what was in front of her face.
She opened her mouth.
’—Mmnh~—’
He was not gentle.
Not cruel — he was not cruel, but gentle was a different category, and what he was was specific, and specific required that her hair be in his grip and her head be positioned in the position he had positioned it and the pace be the pace he had established and not a different pace.
’—Mnh! Mmnh~! MMNGH~!—’
The specific, muffled, throat-deep sounds of a woman discovering that the depth he had selected for this activity was also the depth at which the throat had opinions.
Her hands ca to his thighs.
Not stopping. Gripping — the sa thigh-grip as the forest, the specific, flat, anchor-grip of soone who had found the available surface and was using it.
PAH PAH PAAH.
’—MMNH~! MMNGH~! HMMPH~!—’
He drove.
The throat-deep, full, flat drive of soone who had selected a pace and was maintaining it with the flat, comprehensive authority of soone for whom this was exactly what it was.
Her throat.
The specific, visible, external evidence of what was happening inside — the bulge, the undeniable external shape of depth being expressed through the external wall of the throat — visible from above, visible from the outside, the completely honest, unambiguous physiological announcent of how deep the depth was.
’—HMMPH~! MMNGH~!—’
Her eyes.
The amber eyes looking up from the position she was in, the specific, upward-angled look of a woman looking up from this angle, wet at the corners, present.
He looked at her eyes.
He released her hair.
She ca off.
The full, backward, gasping exit — ’HAAh~!’ — the specific, enormous, air-filling inhale of soone who had been doing sothing that precluded full inhaling and had just been given permission to inhale.
She gasped.
Her hand went to her own throat. Flat. Feeling the warmth.
She stared at him.
He sat back.
He pulled her forward.
She looked at the specific geotry he had arranged.
"Senior—" She looked up. "You want to—"
"Lie down," he said.
She lay down.
He brought both her arms together, holding both wrists with one hand — the flat, comfortable, single-handed grip that was not restraining, was simply holding — and his other hand ca to the inside of both her forearms, pressing them together around the specific, warm, full architecture of what lay between them, and the specific, warm, comprehensive sensation of a titfuck was a different sensation than the other sensations but was not a lesser one.
She made a sound.
’—Aaahn~—’
He moved.
The flat, asured, specific motion of soone who had selected a pace for this as he selected paces for everything — inford, intentional, the full, warm slide of the hot, thick length of him between both soft, heavy, full masses pressed together.
She looked down.
At her own chest.
At what was between her own chest.
The specific, intimate, completely honest view of a woman watching sothing happen to her body from below, the full, warm, appearing and disappearing motion of the thick head erging from between both of her breasts at the top of each stroke.
’—Aaahn~... aaahn~...—’
PAH PAH PAH.
’—AHN~! AHN~!—’
He looked at her face.
She was not looking at the stars.
She was looking at her own chest with the specific, present, absorptive quality of a woman who was watching sothing that was revising her inventory of what her own body was capable of providing.
He pressed her together.
Tighter.
PAH PAH PAAH.
’—HAANN~!!! AHN~!!!—’
"You need to be treated like this," he said.
She looked up at him.
"Not gently," he said. "Not carefully. Not once every few months."
She breathed.
"Like this," he said. "Every day. By soone who knows what you are worth."
The tears ca back.
Not the sharp ones.
The long, soft, processing ones — the ones that had been waiting behind everything else and had now found their turn.
He released.
The final, warm, comprehensive release — not inside, this ti, but across, the full, warm, real, thoroughly-present evidence of the entire night landing across the soft, warm, full expanse of her chest and her throat and her jaw, and she felt every degree of the warmth.
She made a sound.
Very small.
Her head fell back against the grass.
Her eyes were soft.
The cultivation light at her skin was steady now — the warm, settled, amber-gold of a body that had received significantly more than it had been receiving and was sitting in the new state with the patient, accomplished quiet of a structure that had been revised.
Her ridians: Core Formation Mid. Stable. Projected advancent: Late by morning.
He noted this.
He looked at her face.
Her eyes were closing.
Not sleep — the specific, heavy-lidded, present quality of a woman whose body had run to the end of its current resource set and was requesting a brief pause.
"The night," he said.
Her eyes opened.
Partially. The amber eyes from behind half-closed lids, soft with everything.
He looked at the pond.
The ancient water. The flat, dark surface with the stars in it. The specific, settled, cool clarity of water that had been sitting inside Void Return ambient qi for a thousand years and had absorbed more than water.
He stood.
He bent.
He picked her up.
The specific, flat, complete lift of both arms coming under her — one under her knees, one at her back — the princess-carry geotry assembled with the unhurried efficiency of soone for whom the weight and the distance to the water’s edge were both trivial details.
She made a small sound.
’—Aah~—’
Her eyes opened fully.
She looked at the water.
She looked at him.
"Senior," she said.
"The night is still long," he said.
She looked at the water.
At the water’s edge. At the specific, flat, ancient surface of it, the cool of it rising as he stepped toward it.
"Senior," she said again. Very small.
He stepped in.
The water received both their warmth with the specific, imdiate, intimate cool of sothing that had been waiting at a different temperature, and she made the small, full-body sound of a woman receiving a contrast.
He walked until the water was at his waist.
He walked until she was half-subrged.
The cool of the water against the warm of everything else.
He turned her.
The flat, specific, forward-facing, against-the-pond-edge turn — the pond’s bank at her front, the water at her waist, his hands moving her with the unhurried authority of soone who had a next step and was taking it.
Her hands ca to the grass at the water’s edge.
Gripping. Automatically. The instinctive grab of soone who needed purchase.
He stood behind her.
She looked at the bank.
She knew what was behind her.
"Senior," she said.
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