Villain's Breeding System: Evolving 999+ Harem into an SSS-Rank Legion Chapter 177- Preet and Celia’s View

The fish spit rotated.

Preet’s face had beco the specific, deep pink of soone whose blood had made a unanimous decision about where to go. She looked at the fire.

Aisha looked at her hands.

ijin, with the specific, disciplined neutrality she’d maintained all day, looked at Raven with an expression that communicated ’I see exactly what you’re doing’ and then, under that, the involuntary layer that all the disciplined neutrality in the world couldn’t fully cover: ’and it’s working anyway.’

Gia said, with the precise, clipped delivery of soone making an administrative statent: "’That is a deeply inappropriate question.’"

"’That’s fine,’" he said.

"’We’re not answering—’"

"’One,’" Nara said.

Clean. Simple. Aid at the fire, not at anyone’s face.

The group turned.

Nara was looking at the flas with the specific, composed quality of soone who had made a calculation and executed it. Her chin level. Her hands in her lap.

The group’s assessnt moved from her face to him. To the two centiters of space between them. Back to her face.

Celia felt her throat close.

Not dramatically. The specific, involuntary constriction of a body that had just connected two pieces of information and was processing the connection. ’One.’ Nara’s body count was one. Nara, who had been sleeping on that narrow bed two nights ago. Nara, whose sounds had been the sounds that had been. Nara, who was sitting two centiters from the man with the purple eyes and the fire between him and everyone else.

One.

Celia looked at the fire.

Her face was doing sothing she didn’t have the managent capacity to address right now.

"’One,’" Gia said quietly.

Then looked at her own hands.

"’Zero,’" she said.

Aisha: "’Zero.’"

ijin said nothing for three seconds. Then, in the sa tone she used for everything: "’Zero.’"

Preet looked at the fire like the fire had personally wronged her.

"’Zero,’" she said.

Everyone looked at Celia.

She looked at the fish.

"’Zero,’" she said.

The word landed in the firelight with the flat, unavoidable quality of a fact.

Five zeros and one.

Raven looked at the fire.

The corners of his mouth did the thing.

He reached into the pocket of his folded jeans — the jeans that had been taken apart and repurposed and sohow still had a pocket, or he’d made a pocket, or the laws that governed where things were located had simply decided to accommodate him — and produced a small cloth pouch. From the pouch: dried pepper. Red. The specific, deep red of sothing that had been dried properly and was still carrying all of its heat.

He sprinkled it on the fish.

Silence.

"’Where,’" Preet started.

"’Magic,’" he said.

"’That’s not—’"

"’Magic,’" he said again.

The group looked at each other.

The specific, collective assessnt of people who had seen him stop a bullet with his arm, carry six coconuts in one hand, construct a structurally sound shelter from nothing, and produce a piece of dried spice from a pocket that shouldn’t exist.

Gia said, carefully: "’Can you do other things.’"

"’Yes,’" he said.

"’Like what.’"

"’Like stop bullets,’" he said.

"’We saw that,’" she said. "’Other things.’"

He looked at the fire.

The pepper on the fish was producing the specific, imdiate sll of sothing that was going to taste good, the spice releasing into the heat with the warm, dark scent of capsaicin and smoke.

"’We’ll see,’" he said.

They ate.

The fish was good.

Objectively, simply good — the reef fish had the specific sweetness of sothing that had been alive very recently and handled correctly after, the pepper adding a warmth that distributed through the flesh of it and spread from the stomach outward in the specific, total comfort of a body that had been working since morning and had been given what it needed.

They talked.

Not structured conversation. The organic kind — fragnts of backgrounds, the school, the trip’s origin, the specific, individual circumstances that had produced six won on a sandbar this morning. Gia from Delhi, top-ranked in her engineering cohort. Aisha from Jaipur, literature, the first in her family to leave Rajasthan for college. ijin, whose mother was Japanese and whose father was Korean and who had grown up between two precise cultures and had developed the specific, efficient quality of soone who had learned to operate in the gaps between expectations.

Preet, who was from Delhi but not Gia’s Delhi — the other Delhi, the loud one, the market one, the one that produced people who negotiated everything including the weather. She talked with her hands. She laughed easily. She had the specific, rounded warmth of a woman who had grown up in a family that fed people as a primary expression of care and had absorbed this as a value.

Nara said little.

She didn’t need to. She was the one already positioned. The one who’d said ’one’ when everyone else had said ’zero.’ The one sitting two centiters from the man who’d asked.

Celia watched her.

Then looked away.

Then watched her again.

He’d said five zeros.

She thought: ’fresh hunts.’ The specific, private thought of soone assembling a sentence from available evidence without intending to assemble it.

She looked at his face.

He was watching Preet laugh at sothing Aisha said, the specific quality of that watching — not hungry, not urgent, just the observation of soone who is comfortable with ti.

He felt her looking.

He turned.

She looked at the fish.

The night deepened.

One by one, in the specific, unannounced way that tiredness produced capitulation, the won found horizontal surfaces. The shelter had enough floor space. The warmth of the fire reached inside.

ijin first. Then Aisha. Then Gia, her eyes closing mid-sentence with the specific, democratic inevitability of soone whose body had overruled their brain’s interest in continuing.

Preet lasted the longest — the specific tenacity of soone who didn’t want to be the last awake and also didn’t want to not be awake.

She went.

The fire burned lower.

Celia lay on her side.

Her back to the fire. Her eyes on the dark interior of the shelter, the woven palm frond roof above her, the specific, unfamiliar sounds of a tropical night running its inventory outside.

She breathed.

Counted the sounds. The frogs — she hadn’t known there were frogs. The specific, rhythmic quality of sothing she couldn’t identify from the treeline to the north. The ocean, audible beyond the trees, the low, continuous sound of it.

She breathed.

She was asleep.

She was not asleep.

She was doing the specific, ambiguous thing that was between the two, the state where the body had released most of its tension and the mind was running at half-speed, processing the day in the low-resolution way of a system winding down.

She didn’t know how much later.

A sound.

Small. Specific. The sound of — movent. The particular quality of a body trying not to make sound while moving, which produced its own category of sound. The rustle of the shelter’s palm frond floor matting.

She kept her eyes closed.

The movent stopped.

Then: the soft impact of weight on the mat near the shelter entrance. Then outside the shelter. Two sets of weight. Two people.

She kept her eyes closed.

Thirty seconds.

A minute.

She opened them.